Keith Cooper printer profiles
Keith Cooper printer profiles
ICC printer profiles for printers Keith has reviewed
Please Email Keith for the profiles: profiles@northlight-images.co.uk
Do remember to say for which printer…
See below for COMMERCIAL USE
Keith just requests a Kofi donation for the profiles.
THERE IS NO DOWNLOAD LINK ON THIS PAGE – Email Keith
Keith has removed all Google ads. Too many deceptive and irritating adverts.
Any ad links left are non tracking, to companies we know, trust and we've worked with for years [Park Cameras]
Ads helped pay for site running costs, so if you found something useful, please
...Make small KoFi donation?
...Subscribe to Keith's YouTube Channel
...Get Keith's book about how to use tilt/shift lenses
Our site contains affiliate links - these help support the site. See our Advertising policies for more
Reference pages on this site and free test images
Printer Test Images | B&W printer test image | Printer cleaning
Learn from Keith: Training services
Bespoke one-to-one photography/print training [UK, at your location]
Pro quality printer profiles from Keith’s reviews
On this page are listed many of the printer profiles created for Keith’s reviews of papers and printers.
>> Most Popular: ET-8550/8500 | G550/650
How much do Keith Cooper Printer Profiles cost?
Keith asks for a Kofi donation for the profiles.
Please email afterwards and the profile info. can be sent to you.
What about commercial use of Keith Cooper printer profiles?
Please ask specifically about this – a donation at the top suggested amount [£36] will normally suffice
If you would like them – Please email Keith?
Email: profiles@northlight-images.co.uk
Creating new profiles: Are you a paper supplier?
Email Keith about our paper and printer reviews.
We require at least a full box/pack of paper at A3+ size [13×19″] for testing.
All Keith’s printer reviews
The written reviews are the most detailed coverage, and are generally updated over time
Current printer written reviews on this site – includes all videos
- Dye based: [cartridge] XP15000 | PRO-200
- Dye based [ink tank] ET-2850 | G550 | ET-18100
- Pigment ink: PRO-300 | PRO-310 | P700 | WF8690
- Hybrid ink set [ink tank]: ET-8550 | ET-8500
- 17″ width: P900 | P5000 | P5300/5370 | PRO-1000 | PRO-1100
- 24″+ PRO-2000[2100] | P7000 | P7500 | P20000 | TC-20M
Older printer reviews
Some profile still available for these printers.
- Pro-10 | PRO-100 | PRO-1 | Pro9500 mk2
- TX-3000 | iPF8300 | iPF6400 | iPF5100 | iPF6300 | iPF6100
- P800 | SP3880 | SP3800
- P600 | P400 | XP-960 | R2000 | R3000 | R2880
- SP4900 | SP7880 | SP4880
- HP Envy 5540 | Z3200
- SL-D700
Most popular Keith Cooper printer profiles
These are the ones most often requested.
Keith Cooper printer profiles for the Epson ET-8550/ET-8500/L8180
Updated Feb 2026 – always check the written review for the very latest
Note: 8500/8550 profiles are interchangeable and work for the L8180
| Paper Name | ICC Profile Name |
|---|---|
| Arches Aquarelle Rag 310 | 8550_CansonArchesAquaRag-310_vfa_hq.icc |
| Arches BFK Rives White 310 | 8550_CansonArchesBFKRPWhite-310_vfa_hq.icc |
| Arches BFK Rives Pure White 310 | 8550_CansonArchesBFKRPureW-310_vfa_hq.icc |
| — | — |
| Brilliant Matte DS 230 | 8550_BrillMatDS230_ematte_hq.icc |
| ^^ | 8550_BrillMatDS230_vfa_hq.icc |
| — | — |
| Canson Rag Photographique 310 | 8550 CansonRagP VFA hq.icc |
| Canson Rag Photographique II 310 | 8550_CansonRagPhot2_vfa_hq.icc |
| Canson Baryta Photographique II 310 | 8550_CansonBarytaPhot2_psgp_hq.icc |
| Canson Baryta Photographique [matt] II 310 | 8550_CansonBarytaPhot2Matt_vfa_hq.icc |
| Canson Baryta Prestige II 310 | 8550_CansonBarytaPrest-II-340_vfa_hq.icc |
| Canson Platine Fibre Rag 310 | 8550_CansonPlatineFibRag_psgp_hq.icc |
| Canson Edition Etching Rag II 310 | 8550_CansonEtchRag-II-310_vfa_hq.icc |
| Canson Photosatin RC 270 | 8550_CansonPhoSatin270_psgp_hq.icc |
| Canson Photogloss RC 270 | 8550_CansonPhoGloss270_upgp_hq.icc |
| ^^ | 8550_CansonPhoGloss270_pgpp_hq.icc |
| — | — |
| Canon Premium Fine Art Rough | 8550_CanonPFAR_vfa_hq.icc |
| Canon Pro Luster | 8550_CanonProLus_psgpp_q.icc |
| Canon Pro Platinum | 8550_CanonProPlat_pgpp_q.icc |
| Canon Premium Fine Art Smooth | 8550_CanonPFAS_vfa_hq.icc |
| Canon FAPM1 | 8550_CanonFAPM1_vfa_hq.icc |
| Canon PM101 | 8550_CanonPM101_ematte_q.icc |
| ^^ | 8550_CanonPM101_vfa_hq.icc |
| — | — |
| Epson CPN [Cold Press Natural] | 8550 CPN VFA hq.icc |
| Epson HPB [Hot Press Bright] | 8550 HPB VFA hq.icc |
| Epson TPP [Traditional Photo Paper aka Exhibition Fiber] | 8550 TPP PremSemiGl hq.icc |
| Epson PGPP [Premium Glossy Photo Paper] | 8550 PGPP PGPP q.icc |
| Epson Value Gloss | 8550_EpsonValueGloss_pqij_q.icc |
| Epson Premium Lustre [aka ‘Ultra’] | 8550 EpsonLustre PremSemiGl hq.icc |
| Epson Premium Semigloss | 8550_EpsonPremSG_psgpp_q.icc |
| Epson Standard proofing paper | 8550_EpsStdProofPaper205_psgpp_q.icc |
| Epson Archival Matte [std] | 8550_EpsonArcMat_ematte_q.icc |
| ^^ | 8550_EpsonArcMat_vfa_hq.icc |
| Epson Enhanced Matte | 8550_EpsonEnhMat_vfa_hq.icc |
| Epson Archival Matte [‘super’] | 8550_EpsArcMat_vfa_hq-5513-n0.icc |
| ^^ | 8550_EpsArcMat_vfa_hq-5513-n50_opt.icc |
| ^^ | 8550_EpsArcMat_vfa_hq-5513-n50.icc |
| ^^ | 8550_EpsArcMat_vfa_hq-5513-n100.icc |
| Epson Velvet Fine Art [‘super’] | 8550_EpsonVFA_vfa-5513.icc |
| ^^ | 8550_EpsonVFA_vfa-opt.icc |
| Epson Ultra Premium Gloss | 8550_EpsonUltraGloss_eug_hq.icc |
| Epson Watercolour Radiant White | 8550_EpsonWCRW_vfa_q.icc |
| — | — |
| Fotospeed Platinum Cotton 305 | 8550 FSPlatCo305 VFA hq.icc |
| Fotospeed Etching 285 | 8550 FSEtch285 VFA.icc |
| Fotospeed Cotton Etching 305gsm | 8550_FSCotEtch305_vfa_hq.icc |
| Fotospeed Metallic Lustre 275 | 8550_FSMetLus275_psgpp_q.icc |
| Fotospeed Natural Smooth 310 | 8550_FSNatSmoo310_vfa_hq.icc |
| Fotospeed Platinum Etching Cotton 310 | 8550_FSPlatEtchCot310_vfa_hq.icc |
| Fotospeed Platinum Matte 280 -super | 8550_FSPlatMat280_vfa_hq_5513.icc |
| ^^ | 8550_FSPlatMat280_vfa_hq_5513_opt.icc |
| Fotospeed Smooth Cotton 300 -super | 8550_FSSmooCot300_vfa_hq_5513.icc |
| ^^ | 8550_FSSmooCot300_vfa_hq_5513_opt.icc |
| Fotospeed HWS Lite 215 -super | 8550_FSHWSLite215_vfa_hq_5513.icc |
| ^^ | 8550_FSHWSLite215_vfa_hq_5513_opt.icc |
| — | — |
| Hahnemuhle Smooth Fine Art 265[‘HSFA’ from HP] | 8550 HSFA265 VFA hq.icc |
| Hahnemuhle Watercolor 210 [from HP] | 8550 HanWC210 VFA hq.icc |
| Hahnemuhle Photo Rag Matt Baryta 308 | 8550_HMPRMatBar308_vfa_hq.icc |
| Hahnemuhle Sustainable Photo Satin 220 | 8550_HMSusPhoSat220_psgp_q.icc |
| — | — |
| HP Artist Matte Canvas 380 | 8550 HPAMCanv380 VFA hq.icc |
| — | — |
| Ilford Gold Fibre Pearl 290gsm (GPGFP) | 8550_IlfGGFP290_psgpp_q.icc |
| Ilford Gold Fibre Gloss 310gsm (GPGFG) | 8550_IlfGGFG310_psgpp_q.icc |
| Ilford Smooth Pearl 310gsm (GPSPP) | 8550_IlfGPSPP310_psgpp_q.icc |
| Ilford Smooth Gloss 310gsm (GPSGP) | 8550_IlfGPSGP310_pgpp_q.icc |
| Ilford Smooth Cotton Rag 310gsm (GPSC) | 8550_IlfGPSC310_vfa_hq.icc |
| Ilford Textured Cotton Rag 310gsm (GPTC) | 8550_IlfGPTC310_vfa_hq.icc |
| Ilford Metallic Gloss 260gsm (GPMG) | 8550_IlfMet260GPMG_pgpp_hq_opt.icc |
| ^^ | 4 profiles, use M0 opt as default |
| — | — |
| Innova Hot Press bright white | 8550_InnovaIFA115hpbw_vfa_hq.icc |
| Innova Cold Press bright white | 8550_InnovaIFA116cpbw_vfa_hq.icc |
| Innova Ultrasmooth Gloss | 8550_InnovaIFA49USG_psgpp_q.icc |
| Innova IFA39 | 8550_InnovaIFA39_ematte_q.icc |
| ^^ | 8550_InnovaIFA39_vfa_hq.icc |
| — | — |
| Koala 200gsm glossy photo | 8550_KoalaHiGloPP200_pgpp_q.icc |
| Koala 250gsm Satin Photo Paper | 8550_KoalaPPPSatin250_sgpp_q.icc |
| — | — |
| Kodak 240gsm PremiumPhoto Glossy |
8550_KodakPPPGloss240_sgpp_q.icc
|
| — | — |
| MediaRange Double Sided Matte 250gsm | 8550_MRdsm250_vfa_hq.icc |
| ^^ | 8550_MRdsm250_ematte_hq.icc |
| — | — |
| Olmec PMA230 | 8550_OlmPMA230_ematte_q.icc |
| ^^ | 8550_OlmPMA230_vfa_hq.icc |
| Olmec OLM71 Metallic Gloss | 8550_OLM71PhoMetGlo_pgpp_q.icc |
| Olmec OLM72 Metallic Lustre | 8550_OLM72PhoMetLus_psgp_q.icc |
| — | — |
| PermaJet Titanium Lustre 280 | 8550 PJTiLus280 PremSemiGl q hq.icc |
| PermaJet Titanium Gloss 300 [2 versions] | 8500_PjTigl300_pgpp_q.icc |
| ^^ | 8500_PjTigl300_pgpp_smoo_q.icc |
| PermaJet Titanium Gloss 300 [optimised] | 8550_PJTiGl300_pgpp-5513.icc |
| ^^ | 8550_PJTiGl300_pgpp-opt.icc |
| PermaJet Double Sided Lustre 295 | 8550 PJ_DSLus295 PremSemiGl hq.icc |
| PermaJet Oyster 271 | 8500_PjOy271_sgpp_q.icc |
| PermaJet Portrait Rag 285 | 8550_PJPortRag285_vfa_hq.icc |
| PermaJet Portrait Rag 305 [standard] | 8550_PJPortRag305_vfa_hq.icc |
| PermaJet Portrait Rag 305 [super] | 8550_PJPortRag305_vfa-5513.icc |
| PermaJet Portrait Rag 305 [optimised] | 8550_PJPortRag305_vfa_opt.icc |
| PermaJet Portrait White 285 [super] | 8550_PJPortWht285_vfa-5513.icc |
| PermaJet Portrait White 285 [optimised] | 8550_PJPortWht285_vfa_opt.icc |
| PermaJet Watercolour Artist 240 | 8500_PjWCA250_vfa_hq.icc |
| PermaJet Ultra Pearl 295 gsm | 8550_PJUltraPearl295_psgpp_q.icc |
| PermaJet Matt 240 [‘super’] | 8550_PJMattPlus240_vfa-5513.icc |
| ^^ | 8550_PJMattPlus240_vfa-opt.icc |
| — | — |
| Pinnacle Lustre 300 | 8550 PinLus300 PremSemiGl q.icc |
| Pinnacle Matte 230 [matches many bright white matte papers] | 8550 PinMat230 EMatte hq.icc |
| ^^ | 8550 PinMat230 EMatte q.icc |
| ^^ | 8550 PinMat230 VFA hq.icc |
| Pinnacle Photo Matte 130 | 8550_PinPhotMat120_ematte_q.icc |
| ^^ | 8550_PinPhotMat120_vfa_hq.icc |
| Pinnacle Cotton Rag 310 | 8500_PinCotRag310_VFA_hq.icc |
| Pinnacle Cotton Rag bright white 310 | 8500_PinCotRBW310_VFA_hq.icc |
| Pinnacle Etching 310 | 8550 PinEtch310 VFA hq.icc |
| Pinnacle VFA 275 | 8550 PinVFA275 VFA hq.icc |
| Pinnacle Semi Gloss 300 | 8550 PinSemiGl300 PremSemiGl hq.icc |
| Pinnacle Photo Gloss 240 | 8550 PinPhoGloss240 glossy hq.icc |
| Pinnacle Double sided Matte 300 | 8550 PinDSMatte300 VFA hq.icc |
| Pinnacle Etching 310 | 8500_PinEtch310_VFA_hq.icc |
| — | — |
| PPD 9 Glossy 260gsm | 8550_PPD9Gloss260_psgpp_q.icc |
| PPD 41 Glossy 180gsm | 8550_PPD41Gloss180_psgpp_q.icc |
| PPD 82 Satin 200gsm | 8550_PPD82Satin200_psgpp_q.icc |
| PPD 85 Cotton canvas 340gsm [Photo black] | 8550_PPD85Canvas340_matte_q.icc |
| PPD 85 Cotton canvas 340gsm [Pigment black] | 8550_PPD85Canvas340_vfa_q.icc |
| — | — |
| Red River Polar Metallic Gloss 255 | 8550_RRPolarMetGl255_upgp_hq.icc |
| ^^ | 8550_RRPolarMetGl255_upgp_hq_opt.icc |
| — | — |
| Stickiply Vinyl glossy | 8550_StpGloss_glossy_q.icc |
| ^^ | 8550_StpGloss_pgpp_q.icc |
| ^^ | 8550_StpGloss_pqij_q.icc |
| Stickiply Vinyl Holographic | 8550_StpHolo_pqij_q_2.icc |
| ^^ | 8550_StpHolo_pqij_q.icc |
| Stickiply Vinyl Matte | 8550_StpMatte_pqij_q.icc |
| — | — |
| Somerset Enhanced Satin 225 | 8550_SomersetEnhSatin225_vfa_hq.icc |
| Somerset Enhanced Velvet 330 | 8550_SomersetEnhVelv330_vfa_hq.icc |
| Somerset Enhanced Watercolour 240 | 8550_SomersetWCRag240_vfa_hq.icc |
Notes for US paper users
The full set available includes scanner profiles, as described in the main written review.
Note that there are some papers listed above with multiple profiles – these are ones where different profiling or media settings were used. They indicate that you might want to experiment to see which is best. For the Epson Archival Matte ‘super’ profiles, start with the ‘opt’ one.
Don’t forget that my profiles are meant to show slightly different handling of colours depending on the rendering intent you choose when printing. Many print applications, such as Epson Print Layout [EPL], give an indication of this difference by allowing soft proofing,
When printing on matt papers with the Relative Colorimetric rendering intent [RelCol] make sure that Black Point Compensation [BPC] is selected, to avoid crunched up shadows.
For very strong colourful images, you might wish to try the Saturation rendering intent. This -sometimes- works for more graphical images, but is one I rarely use myself.
More to come…
READ THE WRITTEN ET-8550 REVIEW for the latest
Keith Cooper Printer Profiles for Canon G550/650/670 ink tank printers
These profiles were created originally for Mac use, as described in the main [written] review [see also for potential Windows use]
Whilst they are for specific papers, I believe they also work well for ‘similar’ papers if using the same media setting.
They are an attempt to get round the broken colour management when forced to use the AirPrint driver on Macs with smaller Canon printers.
Profiles created for my G550 printer review (Mac only!)
- Canon Fine Art Rough
- Canon LU-101
- Canon PT-101
- Pinacle Lustre 300
PermaJet papers [PermaJet]
- PermaJet Artist Watercolour 250
- PermaJet Matte 240
- PermaJet Oyster 271
- PermaJet Titanium Gloss 300
Extra profiles made during testing of paper/card for greeting cards [Paper Spectrum]
- Pinnacle Semi Gloss 300
- Pinnacle Photo Gloss 240
- Pinnacle Double sided Matte 300
- Pinnacle Etching 310
Keith Cooper printer profiles for the Canon PRO-1100
Here’s the list of profiles I created [all at the Auto CO setting]:
Canon
- 1100_PremFARough_pfa_hq.icc [Canon]
- 1100_ProLuster_plus_hq.icc [Canon]
- 1100_ProPlatinum_proplat_hq.icc [Canon]
- 1100_pm101_pm_hq.icc [Canon]
- 1100_pm101_pm_hq_opt_23-09-24.icc [Canon – 2nd version, using profile optimisation]
Others
- 1100_CansonRagPhot310_pfas_hq.icc
- 1100_EpsPremLus260_prolus_hq.icc [Epson Premium Luster]
- 1100_FSCotEtch305_pfas_hq.icc
- 1100_FSLegGlo325_baryta_hq.icc
- 1100_FSPlatCot305_pfas_hq.icc
- 1100_HMPRMatBar208_pfas_hq.icc
- 1100_HMSusPhoSat220_prlus_hq.icc
- 1100_HPArtMatCanv380_canvas_hq.icc [HP Artist Matte canvas]
- 1100_PJHBarRag310_baryta_hq.icc
- 1100_PJHEtchRag310_pfas_hq.icc
- 1100_PJHMusHer310_pfas_hq.icc
- 1100_PJHSmooRag310_pfas_hq.icc
- 1100_PJHWCRag_pfar_hq.icc
- 1100_PJTiGloss300_proplat_hq.icc
- 1100_PJTiLus280_prlus_hq.icc
- 1100_PinLus300_prlus_hq.icc
- 1100_RRBBBar310_baryta_hq.icc
- 1100_RRPDSoGloRag_prolus_hq.icc
- 1100_RRPaloDuro300_prlus_hq.icc
Keith Cooper printer profiles for the Epson P5300/5370
Epson papers
- Hot press bright
- Cold Press natural
- Velvet fine art [vfa]
- Fine Art smooth cotton bright
- Premium Luster photo paper 260 [plpp260]
- Premium Glossy photo Paper [pgpp]
Hahnemuhle
- Photorag Metallic 340
- Fineart Baryta 325
- Bamboo Gloss
- Photorag Matte Baryta 308
- Sustainable Photo Satin 220
- Water Colour 210
- Agave 290
- Hemp 290
- Sugar Cane 300
- Bamboo 290
Canson Rag Photographique 310
Red River
- Palo Duro 300
- Big Bend Baryta 310
Pinnacle [Paper Spectrum/Dupli]
- Cotton Rag Bright White
- Photo Matte 120
- Pinnacle Lustre 300
Olmec Photo Metallic Gloss 260 [OLM71]
Innova
- IFA-49 – FibaPrint Ultra Smooth Gloss 285
- IFA-45 – Exhibition Cotton Gloss
- IFA 35 – Matt canvas [DWM media setting]
In addition, I have saved the profiling measurement .mxf files [~3k patches] and the greyscale measurement files for many of the papers. Email me at Northlight if you want to know more about these files.
Keith Cooper Printer profiles for the Epson XP-15000
Epson papers:
- PGPP
- Premium Luster
Along with:
- Canson Rag Photographique
- Olmec Photo matte archival 230
- Hahnemuhle Smooth Fine Art 265*
- Pinnacle Lustre 300
- Pinnacle Baryta 310
- HP Watercolour 210
- PermaJet Titanium Lustre 280
- Permajet Titanium Gloss
Keith Cooper Printer profiles for the Canon PRO-200
The papers included:
- Canon Pro Platinum Gloss
- Canon Pro Luster
- Canon Fine Art Museum Etching
- Canon Fine Art Photo Rag
Other papers:
- Canson Rag Photographique 310
- Olmec Matte 230 photo paper
- Pinnacle Lustre 300
- Pinnacle Silk Baryta 310
- Pinnacle Velvet 275
- Permajet Titanium Gloss 300
- Permajet Titanium Lustre 280
- HP Artist Matte Canvas 380*
- HP Hahnemuhle Smooth Fine Art 265*
- HP Hahnemuhle Watercolor Paper 210*
- HP Aquarelle 240*
I have profiles for all of these, which are available on request.
* Note that the HP papers are from many boxes of A3+ sample packs I was sent years ago when I reviewed the Z3200 – the papers were from when HP used to make good photo printers such as the 9180. This means I don’t know if they are still available, but I still have boxes of them…
All of these papers went into the top slot – even the canvas sheet.
Keith Cooper Printer profiles for the Canon PRO-300
These included:
- Canon Pro Platinum Gloss
- Canon Pro Luster
- Canon Museum Etching
Other papers included
- Canon Rag Photographique
- Olmec Matte 230 photo paper
- Pinnacle Lustre 300
- Pinnacle Silk Baryta 310
- Permajet Titanium Gloss 300
- Pinnacle Greeting Cards – covered in their own article
Keith Cooper Printer profiles for the Canon PRO-310
Canon papers:
- Canon Pro Platinum Gloss [PT101]
- Canon Pro Luster
- Canon Fine Art Smooth
- Canon PM101 matte
Other papers included
- Hahnemuhle Matt Baryta 308
- Hahnemuhle Sustainable Photo Satin 220
- Fotospeed Natural Smooth 310
- Fotospeed Platinum Etching Cotton 305
11 Epson papers on the PRO-310
- Velvet Fine Art
- Premium Semigloss PP
- Premium Lustre PP
- Premium Glossy PP
- Traditional Photo Paper [aka Exhibition Fibre]
- Fine Art Cotton [4 off] – Smooth and Textured [aka Hot/Cold Press] – Bright and Natural
- Std. Proofing paper
- Archival Matte
Keith Cooper Printer profiles for the Epson P700 and P900
Epson papers
- PGPP
- Premium Luster
- TPP
- Hot Press Bright
- Cold Press neutral
Along with
- Canson Rag Photographique
- Olmec Photo matte archival 230
- Hahnemuhle Smooth Fine Art 265*
- Pinnacle Lustre 300
- Pinnacle Baryta 310
- HP Artist matte canvas 380
- Hahnemuhle Watercolour 210
- Fotospeed Platinum Cotton 305
- HP Aquarelle 240
- PermaJet Ultra Pearl 295
Never miss a new article or review - Sign up for our occasional (ad-free) Newsletter
and please do subscribe to Keith's YouTube Channel
Other areas of our site that may be of interest...
All the latest articles/reviews and photo news items appear on Keith's Photo blog

Keith explains tilt and shift lenses
Keith has written a book that looks at the many ways that tilt/shift lenses can benefit your photography from a technical and creative point of view. If not in the UK check for import issues and maybe try an on-line bookshop. Keith has no connection with sales of the book.
ISBN 9781785007712
There is also a specific index page on the site with links to all Keith's articles, reviews and videos about using tilt and shift.
We've a whole section of the site devoted to Digital Black and White photography and printing. It covers all of Keith's specialist articles and reviews. Other sections include Colour management and Keith's camera hacks - there are over 1200 articles/reviews here...
We're an Amazon.com affiliate, so receive payment if you buy via Amazon US








