Digital Black and White

Our specialist black and white digital photography page

We’ve lots of articles on this site covering digital black and white photography and other monochrome issues.

If you are just starting out with digital black and white, then this particular article may be of interest. It’s a 2020 version of the original I wrote in 2004.

The basics of digital Black & White photography

This page is the reference point for all our digital black and white photography related articles and reviews.

It covers all aspects from taking photos for black and white use, processing and editing them (converting colour to b&w) and producing black and white prints.

Articles listed here are those with significant sections dealing with aspects of black and white photography. There are also some of my older Black and White Photos in the Gallery

Reference pages and test images

• Printer Test Images
• B&W printer test image
• Printer cleaning
• Paper reviews
• Black & White from colour – 20+ conversion techniques

Videos

• Keith’s YouTube channel has a specific digital black and white playlist.

Current printer reviews (include B&W sections)

• Dye based: G550 | XP15000 | PRO-200
• Pigment ink: PRO-300 | P700 | WF8690
• Hybrid ink set:  ET-8550
• 17″ width: P900 | P5000 | PRO-1000
• 24″+ PRO-2000 | P7000 | P7500 | P20000

^ All about making this image
…from idea to print

Other article index pages

• Keith’s photo blog
• Keith’s photography videos
• Articles and Reviews
• Prints and printing
• Photography book reviews
• Colour Management

Why Black and White

Black and white photography still inspires me.

I’m reminded of this quote from someone who’s original work, and ability to explore new techniques I admire:

– Ansel Adams
forward to his book “the Negative”, published January, 1980

Digital Black and White Photography

The image to the right is a special black and white printer test image.

Keith Cooper has created it to test the quality of black and white printing.

This is the current version of our standard black and white printer test image, first published in 2005.

The test image incorporates a number of features designed to make it useful in testing and then improving monochrome print output.

Many features are also directly copied from the old version so as to maintain compatibility with existing test prints.

It’s quite a harsh test, but covers most areas where printers have difficulties, such as shadow detail, colour casts, and linearity.

All the various parts are explained and an A4 300ppi sized version is freely available for download. There are versions with a 51 and 21 step greyscale ramp available for creating QTR ‘correction’ profiles. There are also numerous articles that include its use.

Black and White photography articles on this site

The articles and reviews are grouped into different categories. You can look through all the articles via the categories selection at there right, or use the search box.

Videos

These are videos embedded in articles/reviews.

For a full index of all videos on YouTube, there is a categorised index page here:

Index: All of Keith’s YT videos

• Video: Using a black and white test imageKeith looks at print quality testing using a black and white test image. Test B&W printing and new papers on your printer. The test image is available for download (10m 20s)
• Video: Which printer is best? – it dependsKeith is often asked which photo printer is best. The answer is always 'it depends'. Not always what people want to hear. Some reasons for this and a guide to what Keith looks at in printers and why you need to know what matters to you (10m 18s)
• Video: Why prints come out wrong and what to doKeith looks at the top reasons photo prints don't come out right, along with the steps needed to fix your print problems. Based on years of sorting out print problems for photographers (22m 30s)
• Video: Where are the high quality A4 photo printersWhy you don't get high quality photo and fine art printers at A4 or Letter size. What features do you get with larger printers apart from the ability to make larger sizes photo prints (6m 30s)
• Video: What printer marketing doesn’t tell youWhat printer marketing doesn't say. Keith Cooper looks how much better prints you will get from a new printer and why it probably won't be significantly different from the last model (13m 20s)

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Articles

• Better black and white profiling with the ColorMunkiUsing the Colormunki to create QuadToneRIP (QTR) linearising icc profiles for black and white printmaking. Smoother gradations and unblocked shadows
• Printing Black and White digital photographyPrinting Black and White digital photography, is the second part of an interview with Keith Cooper about all aspects of digital monochrome photography
• Black and white digital photography with Keith CooperAn extended version of a magazine interview with Keith Cooper, discussing different aspects of digital black and white photography. B&W photography tips and advice
• Digital Black and White – working in 16 bitHow converting 8 bit colour JPEG images images to 16 bit before converting to black and white gives up to 10 bit greyscale (B&W) images.
• QTR and PrintFIX PRO to get better black and white printsUsing the PrintFIX Pro colorimeter with QTR to make greyscale ICC profiles to improve linearity for black and white printing.
• Why don’t my prints match my screen?Why your prints often don't match your screen very well. Some explanations, solutions and ways of dealing with the problem
• Digital photography – two years onSome thoughts about aspects of digital photography - revisiting the issues and ideas, some two years after deciding to ditch film. A decision I've never remotely had second thoughts about
• A Black and White test imageSpecial test image designed for black and white print checking. Includes explanation of use for all features of the downloadable image.

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Reviews

• Epson ET-8550 printer reviewFull review of the Epson ET-8550 EcoTank printer. The 13"/A3+ six ink printer includes both pigment and dye based black inks which are filled from 70ml bottles of ink.
• Canon PRO-310 printer reviewDetailed Canon imagePROGRAF PRO-310 printer review. Keith tests the PRO-310 pigment ink printer with a range of glossy and fine-art media, including panoramic prints up to 1800mm long
• Canon PRO-1100 printer reviewDetailed review of the Canon imagePROGRAF PRO-1100 17" pigment ink printer. 11 inks and a colour optimiser coat. Tested for colour and B&W printing on a range of media types. Paper sixes up to A2, with borderless print options. Successor to the Canon PRO-1000
• Epson SC-P5300 printer reviewDetailed review of the Epson SC-P5300 17" (A2) pigment ink printer with sheet feed and powered roll paper feed and paper cutter. It has 10 inks and no matte/photo black ink switching
• Canon TC-20M printer reviewDetailed Canon imagePROGRAF PRO-300 printer review. Keith tests the PRO-300 pigment ink printer with a range of glossy and fine-art media, including panoramic prints up to 990mm (~39") long
• Epson ET-18100 printer reviewFull Epson ET-18100 printer review. The 13""/A3+ sized six ink EcoTank printer filled from individual 70ml bottles of dye ink . Dye based printer excels
• Epson ET-8500 printer reviewFull review of the Epson ET-8500 EcoTank printer. The 8.5"/A4 six ink printer includes both pigment and dye based black inks which are filled from 70ml bottles of ink. Is it a good choice to learn high end art and photo printing?
• Epson ET-2850 printer reviewEpson ET-2580 printer review. The EcoTank 8.5"/A4/Letter four ink printer includes pigment based black ink and dye based colour inks which are filled from 127ml/70ml bottles of ink.

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Printing

• SpyderX Studio reviewReview of the Spyder X Studio kit from Datacolor. Includes the Spyder X Elite monitor calibrator, SpyderCube white balance and exposure tool and SpyderPrint printer profiling kit for creating ICC printer profiles
• Fotospeed Fotospeed Smooth Cotton 300 paper reviewFotospeed Smooth cotton 300 paper review. Smooth matte surface surface, Cotton based 300gsm white paper. Takes a good ink load and for a matte paper gives solid colour and B&W tonality
• Fotospeed Legacy Gloss 325 paper reviewFotospeed Legacy Gloss 325 paper review. Smooth unglazed gloss surface, Cotton based 325gsm natural warm white paper. OBA free. Making large exhibition quality prints.
• Printing low megapixel images at large sizePrinting low megapixel images at large size, looking at resizing and image editing techniques that let you make larger prints than you thought possible. Getting good prints at A2 and 17" x 25" sizes
• Fotospeed Platinum Baryta 300 paper reviewFotospeed Platinum Baryta 300 paper review. Smooth unglazed gloss surface 300gsm natural white paper. Making large exhibition quality prints
• Better photography by printing your workBetter Photography from prints. Printing your photos is a useful skill to work on. 5 steps towards getting great prints that will help you improve all of your photography
• Fotospeed Metallic Lustre paper reviewFotospeed Metallic Lustre 275 gsm paper review. A microporous coated paper with a metallic lustre surface finish, for dye and pigment inks. A4 sheet to 44" roll sizes available
• Canon imagePROGRAF TX-3000 reviewTesting the Canon TX-3000 36" width printer. Keith Cooper reviews the Canon TX wide format printer and plotter for photo and graphics printing. Also covers the 24" TX-2000 printer and 44" TX-4000

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News

• Epson SureColor SC-P5000 STD Printer announcedLatest information about the new SureColor P5000 17" large format printer from Epson. The replacement for the SP4900 A2 sized desktop printer.
• Keith Cooper’s talks about printmakingKeith Cooper talks about making large prints at The Photography Show 2017 - Getting great looking big prints from your work. From camera to print, the complete workflow
• New Canon papers announcedCanon USA announce three new Premium Fine Art papers — Premium Fine Art Smooth, Premium Fine Art Bright White and Premium Polished Rag. Designed to produce, rich-color reproduction, and detailed expression of gradation. Keith has a roll of the Fine Art Smooth for an upcoming paper review