Digital Black and White

Our specialist black and white digital photography page

We’ve lots of articles on this site covering digital black and white photography and other monochrome issues.

If you are just starting out with digital black and white, then this particular article may be of interest. It’s a 2020 version of the original I wrote in 2004.

The basics of digital Black & White photography

This page is the reference point for all our digital black and white photography related articles and reviews.

It covers all aspects from taking photos for black and white use, processing and editing them (converting colour to b&w) and producing black and white prints.

Articles listed here are those with significant sections dealing with aspects of black and white photography. There are also some of my older Black and White Photos in the Gallery

Reference pages and test images

• Printer Test Images
• B&W printer test image
• Printer cleaning
• Paper reviews
• Black & White from colour – 20+ conversion techniques

Videos

• Keith’s YouTube channel has a specific digital black and white playlist.

Current printer reviews (include B&W sections)

• Dye based: G550 | XP15000 | PRO-200
• Pigment ink: PRO-300 | P700 | WF8690
• Hybrid ink set:  ET-8550
• 17″ width: P900 | P5000 | PRO-1000
• 24″+ PRO-2000 | P7000 | P7500 | P20000

^ All about making this image
…from idea to print

Other article index pages

• Keith’s photo blog
• Keith’s photography videos
• Articles and Reviews
• Prints and printing
• Photography book reviews
• Colour Management

Why Black and White

Black and white photography still inspires me.

I’m reminded of this quote from someone who’s original work, and ability to explore new techniques I admire:

– Ansel Adams
forward to his book “the Negative”, published January, 1980

Digital Black and White Photography

The image to the right is a special black and white printer test image.

Keith Cooper has created it to test the quality of black and white printing.

This is the current version of our standard black and white printer test image, first published in 2005.

The test image incorporates a number of features designed to make it useful in testing and then improving monochrome print output.

Many features are also directly copied from the old version so as to maintain compatibility with existing test prints.

It’s quite a harsh test, but covers most areas where printers have difficulties, such as shadow detail, colour casts, and linearity.

All the various parts are explained and an A4 300ppi sized version is freely available for download. There are versions with a 51 and 21 step greyscale ramp available for creating QTR ‘correction’ profiles. There are also numerous articles that include its use.

Black and White photography articles on this site

The articles and reviews are grouped into different categories. You can look through all the articles via the categories selection at there right, or use the search box.

Videos

These are videos embedded in articles/reviews.

For a full index of all videos on YouTube, there is a categorised index page here:

Index: All of Keith’s YT videos

• Video: Using a black and white test imageKeith looks at print quality testing using a black and white test image. Test B&W printing and new papers on your printer. The test image is available for download (10m 20s)
• Video: Which printer is best? – it dependsKeith is often asked which photo printer is best. The answer is always 'it depends'. Not always what people want to hear. Some reasons for this and a guide to what Keith looks at in printers and why you need to know what matters to you (10m 18s)
• Video: Why prints come out wrong and what to doKeith looks at the top reasons photo prints don't come out right, along with the steps needed to fix your print problems. Based on years of sorting out print problems for photographers (22m 30s)
• Video: Where are the high quality A4 photo printersWhy you don't get high quality photo and fine art printers at A4 or Letter size. What features do you get with larger printers apart from the ability to make larger sizes photo prints (6m 30s)
• Video: What printer marketing doesn’t tell youWhat printer marketing doesn't say. Keith Cooper looks how much better prints you will get from a new printer and why it probably won't be significantly different from the last model (13m 20s)

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Articles

• Print setup for a new fine art paperSetup and profiling an unknown new paper for colour and Black & White printing. Looking at the whole process including media settings and types, and creating icc printer profiles.
• Test image for black and white printingTest image for testing performance and quality of black and white (monochrome) printing. Article explains functionality of parts of the image
• Using Silver Efex Pro for colour printsUsing software to create monochrome images that are blended with colour images using luminosity blending to give more punch to dull photos
• Reducing halos with Silver Efex Pro 2Ways of using colour to black and white conversion software such as Nik Silver Efex Pro that do not produce unwanted halo effects around objects. Ensuring that trees don't make the sky lighter for example
• Making a black and white photographThe whole process of making a large black and white photograph, right from stopping to take the photo, through to final fine-art printmaking.
• Producing better photographsWhy you probably don't need to rush out and spend money to improve your photography - it about thinking more, and taking more photos. New cameras and lenses are nice but not as essential as you might think
• Re-using the zone system?With its origins in the exposure and development of film, do aspects of the zone system still work in today's digital black and white photography?
• Industrial photography in a foundryPreparation and subsequent image processing required when taking photographs in a working foundry. Also looks at how final size affect image editing

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Reviews

• Epson ET-8550 printer reviewFull review of the Epson ET-8550 EcoTank printer. The 13"/A3+ six ink printer includes both pigment and dye based black inks which are filled from 70ml bottles of ink.
• Canon PRO-310 printer reviewDetailed Canon imagePROGRAF PRO-310 printer review. Keith tests the PRO-310 pigment ink printer with a range of glossy and fine-art media, including panoramic prints up to 1800mm long
• Canon PRO-1100 printer reviewDetailed review of the Canon imagePROGRAF PRO-1100 17" pigment ink printer. 11 inks and a colour optimiser coat. Tested for colour and B&W printing on a range of media types. Paper sixes up to A2, with borderless print options. Successor to the Canon PRO-1000
• Epson SC-P5300 printer reviewDetailed review of the Epson SC-P5300 17" (A2) pigment ink printer with sheet feed and powered roll paper feed and paper cutter. It has 10 inks and no matte/photo black ink switching
• Canon TC-20M printer reviewDetailed Canon imagePROGRAF PRO-300 printer review. Keith tests the PRO-300 pigment ink printer with a range of glossy and fine-art media, including panoramic prints up to 990mm (~39") long
• Epson ET-18100 printer reviewFull Epson ET-18100 printer review. The 13""/A3+ sized six ink EcoTank printer filled from individual 70ml bottles of dye ink . Dye based printer excels
• Epson ET-8500 printer reviewFull review of the Epson ET-8500 EcoTank printer. The 8.5"/A4 six ink printer includes both pigment and dye based black inks which are filled from 70ml bottles of ink. Is it a good choice to learn high end art and photo printing?
• Epson ET-2850 printer reviewEpson ET-2580 printer review. The EcoTank 8.5"/A4/Letter four ink printer includes pigment based black ink and dye based colour inks which are filled from 127ml/70ml bottles of ink.

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Printing

• Fotospeed Matt art papers reviewFotospeed Platinum Cotton 305 and Cotton Etching 305 matt art papers review. Cotton acid free fine art paper. Natural white smooth and Etching finish bright white
• i1Studio update 1.1X-rite update i1Studio to version 1.1. Includes ability to save measurements from multiple charts when creating printer icc profiles (V2 and V4 supported)
• i1Studio calibration and profiling reviewX-Rite i1Studio calibration and profiling review. Calibrate monitors and projectors. Profile reflection and transmission scanners, and profile papers for colour and black and white printing.
• Epson P5000 printer reviewReview of the Epson Surecolor P5000 printer. 17 inch width A2, with roll support and paper cartridge for sheet media. Looking at print capabilities and colour management
• Epson SC-P20000 printer reviewReview of the Epson SC-P20000 printer by Keith Cooper. 64 inch width large format printer with new UltraChrome Pro 10-colour ink-set including high density Mk/Pk inks and three grey inks for better Black & White printing
• The art of the big photographic landscape printWhat makes for a great looking large 'fine art' print? What differences do you need to consider when deciding to make larger prints (A2 and above). Larger prints are that work are far more than just more megapixels, sharper lenses and big printers.
• Keith Cooper’s talks about printmakingKeith Cooper talks about making large prints at The Photography Show 2017 - Getting great looking big prints from your work. From camera to print, the complete workflow
• Paper review Platinum Gloss Art Fibre 300Paper review, looking at Platinum Gloss Art Fibre 300gsm paper by Fotospeed. Tested on the Canon PRO-2000 pigment ink printer for colour and black and white printing

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News

• Epson SureColor SC-P5000 STD Printer announcedLatest information about the new SureColor P5000 17" large format printer from Epson. The replacement for the SP4900 A2 sized desktop printer.
• Keith Cooper’s talks about printmakingKeith Cooper talks about making large prints at The Photography Show 2017 - Getting great looking big prints from your work. From camera to print, the complete workflow
• New Canon papers announcedCanon USA announce three new Premium Fine Art papers — Premium Fine Art Smooth, Premium Fine Art Bright White and Premium Polished Rag. Designed to produce, rich-color reproduction, and detailed expression of gradation. Keith has a roll of the Fine Art Smooth for an upcoming paper review