Canon EF Lenses – rumours and news
New Lenses and Canon EF Lenses
Rumours and News about Canon Lenses and other lens info
For several years I’ve gathered information and links for Canon’s new EF lenses and rumours about new ones. I’ve also written numerous articles and reviews covering lenses and photography related issues.
Please use your own judgement when reading the speculation, and remember that rumours are for entertainment as much as anything else!
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New lenses – facts, rumours and speculation
26th The CP+ show is running in Japan, and amongst the products on display are a range of new lenses from Laowa (Venus lens). A 25mm 2.5-5x macro, 15/2.8 Sony FE, 24mm relay lens, tilt and shift converters and a 7.5mm f2 MFT lens.
They make some interesting stuff that I’ve really enjoyed testing, to the extent that Karen uses their dual head macro flash for many of her jewellery photos.
For those of you super keen to sign up to hear about the new Sigma lenses, B&H have a pre-pre order notification service – yes it’s for real
25th A new m4/3 lens catalogue (multiple manufacturers) [PDF] shows just how far the range has come – well worth a browse if you like lenses…
21st Sigma announce 4 new lenses as expected – full details are in a news post (part of my changes to how the site is organised – hopefully making things easier to find)
18th A suggestion that we’re about to see several lenses from Sigma [Nok]
- 135mm F1.8 DG HSM | Art
- 14mm F1.8 DG HSM | Art
- 24-70 mm F 2.8 DG OS HSM | Art
- 100-400 mm F5 – 6.3 DG OS HSM | Contemporary
Mount: Canon · Nikon · Sigma
17th Irix have info about their 11mm f/4 lens [Irix] – definitely one to try…
15th As expected, Canon announce a new (smaller – see right) version of their EF-S18-55mm kit lens
The new Canon EF-S 18-55mm f/4-5.6 IS STM lens is nearly 20 percent smaller than the EF-S 18-55mm f/3.5-5.6 IS STM lens, without sacrificing image quality. Features of the lens include:
Compact-size, Standard Zoom Lens with High Image Quality
Lead Screw-type STM
Image Stabilization at up to 45 Stops of Shake Correction
The Canon EF-S 18-55mm f/4-5.6 IS STM lens is scheduled to be available in early April 2017 for an estimated retail price of $249.99**.
For more information please visit, usa.canon.com/efs1855stm.
|Lens type||Zoom lens|
|Max Format size||APS-C / DX|
|Focal length||18–55 mm|
|Lens mount||Canon EF-S|
|Minimum focus||0.25 m (9.84″)|
|Motor type||Stepper motor|
|Full time manual||Yes|
|Weight||215 g (0.47 lb)|
|Diameter||67 mm (2.64″)|
|Length||62 mm (2.44″)|
|Zoom method||Rotary (extending)|
|Filter thread||58.0 mm|
12th Next up for testing is the Sigma 12-24 F4 DG, which Sigma UK have kindly lent me to try out. Whilst I won’t be doing detailed technical comparisons with the rather more expensive Canon 11-24 F4L (review), the similarities in size and weight are obvious.
8th The latest version of EF-S 18-55mm lens drops from f/3.5 to f/4 at the (not very) wide end.
Should be announced soon along with the 750/760D replacements.
Lens construction: 12 elements in 10 groups
Shortest shooting distance: 0.25 m
Filter diameter: 58 mm
Size: 66.5 x 61.8 mm
Weight: 215 g
FYI, the Canon EF-S 18-55mm f/3.5-5.6 IS STM weighs 205g and is 65mm x 75.2mm (58mm filter)
Looks like I get to add another 18-55 to our page telling the different versions apart
7th I’ve been having a look at using the Samyang (Rokinon) 12mm f/2.8 fisheye lens and have written up a review of using it on my 5Ds.
Mainly about using the lens (so no MTF charts) including how its stereographic projection geometry differs from most other fisheye lenses.
Two new Tamron lenses announced…
SP 70-200mm F/2.8 Di VC USD G2 (Model A025)
February 6, 2017, Commack, NY – Tamron, a leading manufacturer of optics for diverse applications, announces the launch of SP 70-200mm F/2.8 Di VC USD G2 (Model A025), a new telephoto zoom lens product for full-frame and APS-C DSLR cameras. Model A025 was developed by substantially enhancing the features of its predecessor. These include a thorough review of the optical, mechanical and electronic designs to increase autofocus speed and precision, reinforce VC (Vibration Compensation) functions and to shorten the MOD. New features include eBAND Coating, Moisture-Proof and Dust-Resistant Construction, Fluorine Coating and compatibility with teleconverters. The lens design features a metal-based barrel for improved handling and ease-of-use. The result of this dramatic evolution is Model A025, a high-speed telephoto lens that widens the scope of expression for photography in a broad range of genres, such as portraits, landscapes, sports and photojournalism. The lens is expected to be available in the U.S. in March at $1299.
10-24mm F/3.5-4.5 Di II VC HLD (Model B023)
February 6, 2017, Commack, NY – Tamron, a leading manufacturer of optics for diverse applications, announces the launch of 10-24mm F/3.5-4.5 Di II VC HLD (Model B023), a new ultra-wideangle zoom lens for APS-C DSLR cameras. The lens is expected to be available in the U.S. this Spring at $499.
Model B023 is a wideangle zoom lens that covers an exceptionally large range—the largest focal length range in its class1 (35mm equivalent is 16mm to 37mm). The lens is ideal for street photography, landscapes, group photos and casual everyday scenes. In 2008, Tamron launched the SP AF 10-24mm F/3.5-4.5 Di II LD Aspherical [IF] (Model B001) that provided an unprecedented focal length range in its class. Building on that lens’s popularity, the successor Model B023 has improved optical performance and new features. It embodies Tamron’s most advanced technologies, including the VC (Vibration Compensation) system, Moisture-Resistant Construction and Fluorine Coating, and the first implementation of Tamron’s new HLD (High/Low torque modulated Drive). Additionally, the Model B023 has a refreshing new design derived from the design of the new product lineup in the SP series.
|Tamron SP 70-200mm 2.8 Di VC USD G2||Tamron 10-24mm F3.5-4.5 Di II VC HLD|
|Lens type||Zoom lens|
|Max Format size||35mm FF||APS-C / DX|
|Image stabilization||Yes (5 stops)||Yes (4 stops)|
|Lens mount||Canon EF, Nikon F (FX)||Canon EF-S, Nikon F (DX)|
|Number of diaphragm blades||9||7|
|Special elements / coatings||eBAND and fluorine coatings|
XLD, LD elements
|Broad-band Anti-reflection & fluorine coatings|
LD, XLD, aspherical, and hybrid aspherical elements.
|Minimum focus||0.95m (37.4″)||0.24m (9.45″)|
|Motor type||Ring-type ultrasonic|
|Full time manual||Yes|
|Focus distance limiter||Yes|
|Weight||1500g (3.31lb)||440g (0.97lb)|
|Diameter||88mm (3.46″)||84mm (3.29″)|
|Length||194mm (7.63″)||85mm (3.33″)|
|Zoom method||Rotary (extending)|
3rd The Sigma 85/1.4 Art lens gets impressive test scores [DxO]
With the new site, I’m going to be looking at more lenses, and the Sigma 12-24mm F4 DG HSM Art is one I’m looking forward to trying, especially since I have the Canon 11-24 f4L
I’m going to be concentrating on actually using more unusual lenses, since there are technical lens review sites aplenty for the ‘standard’ stuff or for people who pore over tables and graphs ;-)
2nd There is a new 70-300 on the way from Tamron – SP 70-300 mm f/4-5.6 Di VC USD [nok]
31st Canon has been working on diffractive elements for lenses for several years, and a recent US patent [USP] shows some aspects of creating them with two clear resins of different optical properties.
A mould has the diffractive pattern, and creates the first part of the diffractive element in conjunction with one surface of a normal glass lens.
A second lens element and a different resin produces the second part.
Lots more detail in the patent, but as with patents, don’t expect an easy read ;-)
The good old EF 50/1.4 gets another mention [CR] for a ‘late this year’ update (hey, it’s only a 1993 lens, so no rush…)
27th Reports of a new EF 70-200mm f/4L IS II on the way at some point in the future… [CR]
It will … “incorporate new processes and technologies.” [see below ;-) ]
24th An interesting selection of points sent to us (thanks) from a source in the Far East, said to be from part of a Canon PP presentation
- EF lens mount 3oth anniversary – over 120 million lenses
- Not all done – new challenges!
- Smarter lenses work with still and video cameras
- Premium lenses to support 100+MP sensors and beyond
- Current premium lenses still have too much hand assembly and testing
- Canon developed optical and mechanical design software
- Developments in new glass manufacturing to reduce lead time and supply constraints
Not sure it actually says much new, but I’ve asked for some pictures…
21st In the GFX release info there were some interesting accessories listed. What caught my attention was the adapter for view cameras.
View Camera Adapter G – allows the GFX 50S to be used as a digital back. The view camera adapter allows the GFX 50S to be mounted to the standard universal-type back of a view camera. This allows the use of FUJINON large format camera lenses, such as the CM-W FUJINON lens series. The camera or lens shutter can be triggered, allowing the user to choose the optimum method. The large image circle and the bellows of the view camera can be used with tilt, shift and swing movements, effective for product and architectural photography.
*There may be instances in which the adapter cannot be mounted depending on the shape of the view camera.
Here’s my version – a $15 Canon view camera adapter
What Canon Lenses to expect this year? At the moment, I’ve not seen (nor been sent) anything that fall into the ‘imminent’ (and therefore much more believable) category.
- A ‘Different’ type of 135mm [CR] This could of course be related to Canon’s 135mm lens patent from December [now on the 2016 lens info archive page]
- A small (EF-S?) prime [CR]
- Yet another version of the EF-S18-55mm is always a possibility with the 750D/760D replacements.
9th A new EF 135/2 L IS is suggested for later this year [CR] – after any EF 85/1.4 L IS
A detailed Canon patent [USPTO] describes a tilt/shift lens adapter, such as for EF to EF-M mount, where the difference in flange distance allows for the mechanism to add tilt and shift ability.
It’s interesting to note that this is a ‘smart’ tilt/shift mechanism which reports the settings back to the camera.
As such it could find use in a normal TS-E lens, allowing (finally) for tilt and shift info to be stored in EXIF data.
The block diagram suggests that the movements could be under camera control
Knowing the image circle size of the lens and the sensor size allows the camera to work out just how much shift is available (and display this on the camera in various ways).
Here’s the adapter showing lens tilt
…and here it is showing lens shift.
An interesting patent, not only for use with an adapter (and any size sensor), but also allowing for a considerable jump in TS-E lens complexity (AF for example).
BTW If you are not familiar with T/S lenses, I’ve written quite a few articles – just look for ’tilt/shift’ in the article categories list at the right.
7th A suggestion that Sigma will shortly bring out a 24-70mm f/2.8 OS Art lens [CR]
All articles and reviews are listed on our main Articles and Reviews page, or use the search box at the top of any page. Experimental items, hacks and how-to articles are all listed in the Photo-hacks category Some specific articles that may be of interest:
- Focus with tilted lenses - lots more information about what's going on when you tilt a lens
- Focusing the view camera - where to go next
- Keith's tilt table spreadsheet (zipped file)
- Using a tilt/shift lens
- Using old lenses on your DSLR
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