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Keith’s photography gear and equipment page

Cameras, lenses bags, tripods, software and printing

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When a client hires us they expect our creative expertise – but when I go on an assignment,  I know that choosing the right tools for the job is also vital.

I’ve been asked over the years just what equipment I regularly use and why.

This page will include links to reviews and articles related to the equipment I use.

It certainly isn’t saying that the equipment is what makes the image – that’s all down to me and the way I use the gear I have  – but what I hope it will do is give a few ideas to those of you who want to make more of your own photography.

We have a Newsletter (2-4 per month) with all my latest articles/reviews if you’d like to stay up to date with what’s new.

live view irix 15mm

So, what’s in my camera bag …

What I use for my work.


lens reflection samyang 12mm fisheyeCurrently my main camera is the 50MP Canon EOS 5Ds. [general 5Ds info page – firmware etc.]

Some people have asked why I choose the 5Ds instead of the 5Ds R – which doesn’t have anti-aliasing (AA) filter (and so,could be said to be slightly sharper). Well, I photograph stuff that often has a lot of fine detail and don’t want to deal with Moire.

However since the two cameras have been available I’ve looked at images and realised that much of the supposed finer detail of the ‘R’ version is illusory. Maybe when I update the 5Ds, there won’t be an AA and I’ll have plenty more MP to play with…

As of March 2019 I’ve added the EOS RP {full EOS RP review] to my kit. A 26MP full frame mirrorless, the RP is my first foray into mirrorless and has proved to be a great camera for my general use, and especially the ease with which I can use my old manual focus lenses.


EOS RP with Olympus Zuiko 50/1.2 lens

My previous (and now backup) camera was the 21MP Canon EOS 1Ds mark 3

I do miss the size and build of the 1 series cameras, but the 5Ds sensor trumps the 1D X and 1D X mark 2 by quite a margin for my work.

When I got the 5Ds I did a print based comparison of the 5Ds with the 1Ds mk3 and 1Ds that shows why, for many a job,  I could still get great results with my backup 1Ds mk3 (and even the 1Ds for some).

My old kit…

I still have my 1Ds (11MP) and 1Ds3 (21MP) – as they both still work well, fit all my lenses and never let me down in all the years I used them as my main cameras.

Canon cameras 1Ds and 1DS mk3

Phone camera

Up until March 2020 I still carried the iPhone 3gs that I won a few years ago (2009). I simply don’t use a mobile phone very much other than as an occasional telephone.

Well, it broke and I got an iPhone SE – I now use the phone for the odd few photos when testing for reviews, and for short insert video clips, where the 4k video is good. It’s downsampled to HD when editing my stuff in the excellent [free] DaVinci Resolve for my short YouTube videos.

The videos [my YT Channel] are a new feature, after several years of people asking me to do them ;-)


My standard set of lenses (links to reviews)

I’ve a collection of assorted old lenses that I sometimes use, such as Mamiya 35mm and 55mm lenses I use with a shift adapter

mamiya 35mm shifted up

The Mamiya 55mm is sometimes useful for stitching shifted images. [article about this]

55mm lens shifted upwards for rise

Nice, but not unfortunately useful enough for me to justify getting the TS-E50mm F2.8L Macro I recently reviewed.


My go-to lens for macro work is the Canon MP-E65mm 1x-5x macro lens

mpe65 at x5

I often use lenses such as the TS-E90mm with extension tubes

stacked tubes

For focus stacking, I have a StackShot motorised rail, driven using Helicon Focus software, such as in this example of a promotional image for a trade show. [article about the processes]

macro camera support

Close-up lighting

I’ve several flash units, starting with the Canon MT-24EX twin flash (used off camera here)

macro photography rig setup

The Laowa KX800 [review] is something I often use on-location for product work – typically in places where there isn’t space to set up lighting.

KX800 soft-flash

The two little soft boxes simply clip on the flash heads.

More recently I’ve also used the KF-150 ring flash where I need flat lighting [KF-150 review]

kf-150 ring flash


For general use I’ll pick a tripod like the KF TC2534 I looked at recently – here with its ball head.

tripod and bag

For product photography on location I often use the K&F SA254T1 tripod with it’s crossbar top, giving a more flexible camera placing.

K&F crossbar tripod

There is also the smaller lighter MPB Harrier , shown here with the PHQ head in it

PHQ head on MPB tripod


PHQ 3 with 1ds3-tse17The PHQ4 tripod head [review] is my general purpose tripod head.

It’s a multi axis support that I find quick and easy to use with any of my cameras.

induro phq movement

For my commercial work I like the precision of the Benro GD3WH geared head

ts-e17 and GD3WH

Shown here with TSE Frame and TS-E17mm F4L lens.

Rogeti, who make the TSE frame also make an excellent geared tripod head that I now use for most of my interior and architectural photography where I require extremely precise levelling.

RG1 head and kit

Like most photographers I’ve collected assorted bits of kit over time, that have all had times when they are useful.

assorted tripod fittings

One very useful tripod mount is the TSE Frame I use with the TS-E17mm and TS-E24mm tilt/shift lenses.

This lets me keep the lens still and shift the camera, when taking sets of photos to be stitched.


I tend to use my 5Ds with the Rogeti L bracket


For more specialised use, such as with the Gigapan, I use a hefty survey tripod [article about this]

topcon survey tripod

The GigaPan is for high resolution panoramic and survey photography.

gigapan survey mount

More about using the GigaPan.

Working at height

I’ve a relatively lightweight Megamast which goes up over 8 metres.

It’s carbon fibre based and easily portable.

collapsed megamast

There’s a camranger WiFi controlled pan and tilt head

camranger camera movement

Here’s a photo of me taken with the camera at the top of the mast .

megamast view down street

Camera bags

My standard bag for camera and 2-3 lenses is still the Lowepro Slingshot 202 AW

This is perhaps a bit more than I’d normally carry, but gives a feel for capacity. Just note, this is an older photo and shows the 1Ds I used previously not the 5Ds I use now.

bag contents annotated

Gear transport

The Peli 1535 Air Case [review] takes a bit more gear than the  bag above, and lets me take all kinds of bits and pieces that may be needed on a particular job – it’s also got wheels…

assorted photo kit


My ColorChecker Passport card is a vital tool for ensuring accurate colour in the mixed lighting I’m likely to find in many industrial environments.

passport colour patches

You can use it for simple white balance or to create DNG profiles for processing camera RAW files.

You might notice a green laser pointer in the kit in my bag. A great aid for pointing to things when with a client…

It’s also useful as a ‘laser star’ for testing lens performance.


Nothing special whatsoever.

A stout set of safety boots, high vis gear and hard hat is needed for some sites, but I’m afraid all that branded ‘photographer clothing’ you see advertised largely passes me by.


At the moment I’m printing with an Epson P5000 A2/17″ printer [P5000 review]

setting up the P5000

Colour management

For software, I use X-Rite i1Profiler

For monitor calibration I use an X-Rite i1Display Pro colorimeter.

i1display Pro sensor

For general patch reading I use an i1Pro 2 spectrophotmeter

i1pro2 and target

For automated patch reading I use the i1iO ‘robot arm’

target setup i1iO

For patch reading for printer profiling I use the i1iSis

using isis spectrophotometer


My main editing choice is the BenQ SW320

sw320 connect to laptop

Shown here, connected to my MacBook Pro (from the review)

Commercial photography

If you’d like to know more about the work we do for clients, have a look at our Commercial Photography pages.

There is a Gallery of some of Keith’s landscape photos on the site as well – many available as large prints

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Other areas of our site that may be of interest...

All the latest articles/reviews and photo news items appear on Keith's Photo blog 

tilt-shift book

Keith explains tilt and shift lenses

Keith has written a book that looks at the many ways that tilt/shift lenses can benefit your photography from a technical and creative point of view.

ISBN 9781785007712

Book now available

There is also a specific index page on the site with links to all Keith's articles, reviews and videos about using tilt and shift.

We've a whole section of the site devoted to  Digital Black and White photography and printing. It covers all of Keith's specialist articles and reviews. Other sections include Colour management and Keith's camera hacks - there are over 1200 articles/reviews here...

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