There are a growing number of entirely free tutorials and ‘how to’ articles on this site. This page provides links to all of them.
They range from photo composition to ‘photo-hacks’ or building your own specialist lenses from discarded camera equipment.
Many of our articles and reviews are also written to help explain how and why you would use different equipment and techniques, not just a list of a product’s functionality.
If you think of something that might be useful, please let Keith know – many articles have come from questions asked by readers.
The sections below split all the articles into three broad categories.
Specialist index pages
- Keith’s photo blog
- Articles and Reviews
- Camera and printer rumours
- Digital Black and White
- Colour Management
- All about using tilt and shift
- Photography book reviews
- The business side of photography
- Keith’s ‘gear list’ for his work
- Gallery of some of Keith’s prints
- Some of Keith’s travel blogs
- Some of Keith’s link choices
For even more detail, check the category listings and search box at the right of the page
Editing your photos. Tools and tips
- Helicon Focus focus stacking part 3Review: Helicon Focus for focus stacking part 3. Making highly detailed macro photographs of very small objects, using a stackshot macro rail and MP-E65mm macro lens. Camera options for mirrorless
- Helicon Focus focus stacking part 2Review: Helicon Focus for focus stacking part 2. Moving the camera to create source images for a stack. Creating depth of field.
- Helicon Focus for basic focus stackingReview: using Helicon Focus for basic focus stacking of images for increased depth of field for macro and close up photography - Photos taken by stepping lens focus
- Fine tuning black and white photo printingFine tuning black and white photo printing with a flatbed scanner when using using monochrome print settings such as Epson ABW or Canon Black and White photo print modes. Test for optimal media settings. Print linearisation with curves.
- Upsizing and sharpening for making a printEditing, sharpening and upsizing part of an old digital photo from a 10MP camera to make an A2 sized print. Image resizing for larger prints and why your editing workflow matters.
- Adapted lens – Soligor 300mm f5.5Adapted lens experiments - Soligor 300mm f5.5 on an RF mount EOS RP mirrorless camera. Using adapters on a manual focus telephoto from 1975 on a modern mirrorless camera
- A simple black and white printA simple black and white print workflow aimed at showing just how easy it is to create a black and white landscape print, with a few simple edits.
- Setting the tilt axis for tilt-shift lensesSetting the tilt axis for tilt-shift lenses to an arbitrary angle other than vertical or horizontal, so as to match the desired plane of focus for subjects. ideal for product photography where simple untilted depth of field is not good enough.
There are around a thousand free articles and reviews on the site - thanks to everyone who helps support it.
We appreciate any purchases you make through our partners such as B&H which help us sustain the site.
There are around a thousand free articles and reviews on the site - thanks to everyone who helps support it. We appreciate any purchases you make through our partners such as B&H which help us sustain the site.
Using equipment in non-standard ways. Hacks and mods.
- Deactivate the ink level counter on the Epson 4000Ensuring that ink cartridges always read as full on the Epson Stylus Pro 4000 17" printer. Turning off the ink counter is an alternative to using a chip reset device.
- Swap black ink on the Epson 4880 PrinterA different way of swapping black ink types on the Epson 4880 printer that reduces ink waste compared to the official technique. Use with care
- Modify Canon tilt shift lensChanging the shift axis alignment for Canon TS-E lenses, TS-E 90 modification shown. Similar for TS-E45 and TS-E 24 (mark 1 version)
- Maintenance tank in Epson large format printersLooking at the maintenance tank in some large format Epson printers. How to reset it when full so that it can continue to be used. Use this technique with care, since overflows are very messy.
- A Canon MPP view camera adapterMaking an adapter to fit a DSLR camera to the back of a 4x5 (5x4) view camera, using the existing lens and camera movements. Construction details and parts used. learning about camera movements
- Ultrachrome inks in an Epson 10000 large format printerConversion of an Epson SP10000 dye based ink printer to use Ultrachrome pigment based inks and carts from an Epson 10600. Changing ink types
- A digital pinhole camera using a Canon 1DsConstruction ideas and sample images for several different designs of pinhole adapter for a Canon full frame DSLR camera. Digital pinhole photography experiments at different focal lengths
- MonoChromePro pigment inks for black and white printingReview of the MonoChromePro pigment ink set for black and white printing. Includes custom profile curve creation procedures for using QuadToneRIP (QTR). Making use of black and diluted black (grey) ink sets for monochrome photo printing
Ideas for developing photographic skills and aspects of photographic composition.
- The wonders of bad lensesHome made DIY lenses are easy to make for your camera and a great way to see what really matters to you when photographing subjects. A simple lens made with cardboard
- Artists’ statements – do you ever believe them?Can an Artist's Statement be meaningful and relevant? Is it possible to write one that people believe? Can you do it with a straight face?
- Do your prints have depth?What is 'Depth'? How do you describe your photo prints? Or, more to the point, how do I actually know what you mean and how can I be sure?
- Expensive 3rd party primes – are they worth it?Looking at third party prime lenses for DSLRs. When are they a good idea and when would you be better off improving the rest of your workflow from RAW file to print? Just be careful to buy such kit for good reasons rather than the vague but effusive praise from their fan clubs
- Do you keep a filter on your lens?Do camera shops look on UV or Skylight protective filters for your camera as just an a source of added margin, or are there times that having a filter in place is essential. Keith looks at where he makes use of filters, and where not.
- An era passes – the real end of KodachromeThe end of Kodachrome - historically interesting, but of what relevance to today's photographers. Reproduce the effects in software, accept that it was used for some great photos, but time to move on
- Vertical lines and movementSome thoughts on how the treatment of vertical lines in an image change the relative sense of motion or stillness in a photograph. When vertical being vertical might not be what you want,
- Keith Cooper and black and white photographyBased on a lengthy interview for a magazine article, Keith Cooper talks about his black and white photography, influences and techniques
Training – for companies
These are aspects of training that I provide (on location, not at our offices) as part of Northlight’s business.
We also have a training directory that is freely available for any professional photographer who offers training.
It’s arranged by location, so as long as you are a pro photographer, a free link is available
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All the latest articles/reviews and photo news items appear on Keith's Photo blog
We've a whole section of the site devoted to Digital Black and White photography and printing. It covers all of Keith's specialist articles and reviews.
For All about using tilt and shift - articles/reviews about tilt/shift lenses
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