Photography tutorials and how-to articles

Articles aimed at helping you improve aspects of your photography

There are a growing number of entirely free tutorials and ‘how to’ articles on this site. This page provides links to all of them.

They range from photo composition to ‘photo-hacks’ or building your own specialist lenses from discarded camera equipment.

Many of our articles and reviews are also written to help explain how and why you would use different equipment and techniques, not just a list of a product’s functionality.

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If you think of something that might be useful, please let Keith know – many articles have come from questions asked by readers.

The sections below split all the articles into three broad categories.

Specialist index pages

• Keith’s photo blog
• Articles and Reviews
• Camera and printer rumours
• Digital Black and White
• Colour Management
• All about using tilt and shift
• Photography book reviews
• The business side of photography
• Keith’s ‘gear list’ for his work
• Gallery of some of Keith’s prints
• Some of Keith’s travel blogs
• Some of Keith’s link choices

For even more detail, check the category listings and search box at the right of the page

Editing your photos. Tools and tips

• Helicon Focus focus stacking part 2Review: Helicon Focus for focus stacking part 2. Moving the camera to create source images for a stack. Creating depth of field.
• Helicon Focus for basic focus stackingReview: using Helicon Focus for basic focus stacking of images for increased depth of field for macro and close up photography - Photos taken by stepping lens focus
• Fine tuning black and white photo printingFine tuning black and white photo printing with a flatbed scanner when using using monochrome print settings such as Epson ABW or Canon Black and White photo print modes. Test for optimal media settings. Print linearisation with curves.
• Upsizing and sharpening for making a printEditing, sharpening and upsizing part of an old digital photo from a 10MP camera to make an A2 sized print. Image resizing for larger prints and why your editing workflow matters.
• Adapted lens – Soligor 300mm f5.5Adapted lens experiments - Soligor 300mm f5.5 on an RF mount EOS RP mirrorless camera. Using adapters on a manual focus telephoto from 1975 on a modern mirrorless camera
• A simple black and white printA simple black and white print workflow aimed at showing just how easy it is to create a black and white landscape print, with a few simple edits.
• Setting the tilt axis for tilt-shift lensesSetting the tilt axis for tilt-shift lenses to an arbitrary angle other than vertical or horizontal, so as to match the desired plane of focus for subjects. ideal for product photography where simple untilted depth of field is not good enough.
• How to use a shift lens on your cameraHow to use a shift lens on a camera, the results you get and why you should use one. Perspective control and changing your viewpoint with specialist lenses, Why doing it in camera beats software

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Using equipment in non-standard ways. Hacks and mods.

• Deactivate the ink level counter on the Epson 4000Ensuring that ink cartridges always read as full on the Epson Stylus Pro 4000 17" printer. Turning off the ink counter is an alternative to using a chip reset device.
• Swap black ink on the Epson 4880 PrinterA different way of swapping black ink types on the Epson 4880 printer that reduces ink waste compared to the official technique. Use with care
• Modify Canon tilt shift lensChanging the shift axis alignment for Canon TS-E lenses, TS-E 90 modification shown. Similar for TS-E45 and TS-E 24 (mark 1 version)
• Maintenance tank in Epson large format printersLooking at the maintenance tank in some large format Epson printers. How to reset it when full so that it can continue to be used. Use this technique with care, since overflows are very messy.
• A Canon MPP view camera adapterMaking an adapter to fit a DSLR camera to the back of a 4x5 (5x4) view camera, using the existing lens and camera movements. Construction details and parts used. learning about camera movements
• Ultrachrome inks in an Epson 10000 large format printerConversion of an Epson SP10000 dye based ink printer to use Ultrachrome pigment based inks and carts from an Epson 10600. Changing ink types
• A digital pinhole camera using a Canon 1DsConstruction ideas and sample images for several different designs of pinhole adapter for a Canon full frame DSLR camera. Digital pinhole photography experiments at different focal lengths
• MonoChromePro pigment inks for black and white printingReview of the MonoChromePro pigment ink set for black and white printing. Includes custom profile curve creation procedures for using QuadToneRIP (QTR). Making use of black and diluted black (grey) ink sets for monochrome photo printing

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Ideas for developing photographic skills and aspects of photographic composition.

• Why I use the Fisheye-Hemi pluginFisheye lenses are great, with their extreme wide angle and their distinctive perspective, but sometimes you want a bit more. The Fisheye hemi plugin provides some interesting variations
• Is digital too easy? – that film thing (again)Has digital photography taken the 'real skills' out of photography? I'm very much inclined to say no, but it has made it more difficult for many people to know why they are taking photos and what they want to achieve.
• Review of Kuuvik Capture V1.3Review of Kuuvik Capture V1.3 camera tethering software. Apple Mac app that allows for direct control of Canon cameras, with many novel workflow features
• Macro on the Canon EOS 100D SL1Using the 18MP Canon EOS 100D (SL1) for macrophotography. Tested with extension tubes and a tilt/shift lens and the specialised MP-E65 Macro lens. Showing some benefits of a crop sensor camera with small pixels
• Using a shift lens – why not just fix verticals in softwareUsing a shift lens to correct image geometry, such as converging verticals, seems like a lot of expense. Why it's better than doing it in software
• Using Silver Efex Pro for colour printsUsing software to create monochrome images that are blended with colour images using luminosity blending to give more punch to dull photos
• On site product product photography setupBasic colour management and photography options for photographing large numbers of products out of the studio. Efficient setup reduces the processing needed
• PPL TSE-Adapter – lens shift reviewThe PPL TSE Adapter attaches Canon TS-E shift lenses directly to a tripod mount. This lets you shift the camera not the lens, eliminating parallax errors

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Training – for companies

These are aspects of training that I provide (on location, not at our offices) as part of Northlight’s business.

We also have a training directory that is freely available for any professional photographer who offers training.

It’s arranged by location, so as long as you are a pro photographer, a free link is available

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Other areas of our site that may be of interest...

All the latest articles/reviews and photo news items appear on Keith's Photo blog 

Keith explains tilt and shift lenses

Keith has written a book that looks at the many ways that tilt/shift lenses can benefit your photography from a technical and creative point of view.

ISBN 9781785007712

Book now available

There is also a specific index page on the site with links to all Keith's articles, reviews and videos about using tilt and shift.

We've a whole section of the site devoted to  Digital Black and White photography and printing. It covers all of Keith's specialist articles and reviews. Other sections include Colour management and Keith's camera hacks - there are over 1200 articles/reviews here...

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