About the paper

The paper has a hefty 360gsm weight and a smooth semi-gloss finish.

There are some photos showing the surface finish later in the review.

It's a heavy paper with a finish much like some heavier darkroom papers - PermaJet describe it as: "imitates the traditional look and feel of a true Baryta paper".

During our testing for black and white printing and profiling it's clear that the paper had a modest level of Optical Brightening Agents (OBAs).

In normal display and home lighting this just makes it look a good bright white, rather than the distinct blue that some papers with large amounts can show with only a touch of daylight.

Paper details can be downloaded from PermaJet, who also offer media settings advice and a custom profiling service for their papers.

Specifications (from PermaJet)

Weight – 360gsm
Thickness – 0.39mm
Whiteness – (CIE) 104
Coatings –Single-sided, acid free smooth white baryta paper
Primary Features – Brighter whiter base, smooth gloss finish, pH neutral, water resistant, optical brighteners.

There is a good range of sizes available.

Roll Formats 12 metres per roll	60"	44”	36”	24”	17”	13"
	√	√	n/a	√	√	n/a
Cut Sheets	A2	A3+	A3	A4	6"x4"	7"x5"
	√	√	√	√	n/a	n/a

Using ICC profiles

For all our paper tests I create our own ICC profiles, printing out a sheet of coloured patches (nearly 3000 on an A3+ sheet) and then measure them with our iSis scanning spectrophotometer, before creating profiles. I'm using X-rite's latest i1Profiler software for this.

For our Canon iPF8300 I also created a custom media type - based on the Premium Semi-Glossy Paper 280 setting - this worked well, giving a good ink coverage and wide range of colours.

For black and white printing, I used the Canon driver's monochrome print mode - the paper produced very good prints and I didn't find the need for the linearising profile I sometimes create.

I'll be coming back to some specialist aspects of B/W printing when doing some printer reviews over the summer.

The picture to the left shows our standard black and white test image.

This is something we always print out to test black and white image quality, since it has aspects which show up any problem areas in printing.

Here's a piano top of prints from the second box - I've lit them to show paper evenness, surface finish, and stiffness (where the prints go over the edge of the piano.

As you can see , there's no obvious gloss differential in the prints.

Given I'm using pigment inks, if the reflections you can see below are the most I can show (and it took some effort), then I have no problems with the way the ink is behaving on the paper - this is testament to the advances in ink technology, and in surface coatings for modern papers.

Our initial testing encountered a slight problem with paper curl. This can be an issue with heavy papers like this.

When some of the new 'Fibre' papers originally came on the scene a few years ago, there were numerous issues with sheets exhibiting serious curl as they dried, or ambient humidity changed. This has largely been fixed in today's papers.

I tried to straighten out the sheets using the old trick of gently rolling the paper over the edge of a table, but in our iPF8300 the kinks caused head strikes - I've come across similar problems when I was testing some papers in an Epson 3880.

I reported this back to PermaJet and a new box of (flat) paper turned up the next morning - I'm told that this problem was in one small batch of cut sheets.

To be perfectly fair, I've had this problem with many other makes of paper too, so I'm really mentioning it to remind you to open and check boxes of paper when you first get them - oh and to store paper away from damp!

Print Quality

The prints made on our 8300 (a pigment ink based printer) all seemed just fine from a quick look.

When evaluating papers I'll make a basic profile and print out test images such as the Datacolor one to the right (download).

If I like the look and feel, I'll make a more detailed profile and test with a few images, so as to get a feel for what sorts of work I might like to use the paper for.

There were no apparent issues with ink adhesion to the paper, or any obvious bronzing.

Compared to the PermaJet Ultra Pearl paper I also tested, these print have a much more obvious 'fine art' feel about them - however, we're talking of of paper very much aimed at different markets.

One of the B/W images I printed. The surface finish of the paper, along with the deep blacks give this view (taken just after rain) a very effective look. [Image is from my recent Nik HDR Efex review]

Guildhall Lane, Leicester.

Conclusions

I like the smooth finish of this paper - the weight and finish give a more solid 'quality' feel to prints.

If people are going to handle prints, then factors like the 'feel' of a print do have a considerable subjective impact on people's perceptions of quality. The prints on the piano above are ones I'd happily show as examples of my work (they all happen to be of my local city - Leicester in the UK)

Prints have a sharp contrasty look about them, and the surface is good at handling detailed contrasty images.

It's an acid free alpha cellulose base paper, so should have moderately good archival properties, although the presence of OBAs might put some off for archival purposes.

The level of OBA activity was not overly intrusive - the piano is by a north facing window, which on a sunny day will easily make the OBAs in a paper glow.

For black and white photos, the paper was capable of showing nice deep blacks and shows very little gloss differential with the Canon Lucia II inks in our iPF8300.

In fact I'll be taking those prints you can see above along to an upcoming Canon printer event, where I'm talking about the iPF8300 printer.

Summary

A heavy 360gsm paper that with it's smooth semi-gloss surface and stiffness, gives a high quality feel to prints. It shows off high contrast colour and black and white images very well. Modest amounts of OBA also give prints a definite punch that makes the paper excellent for portfolio work.

Supplied through PermaJet in the UK and available with profiles and a custom profiling service.

A personal health warning about paper reviews ;-)

I'm always a bit lost when I see comparative reviews of papers in some magazines that include a stack of spurious tables and diagrams covering various measurements about printer/paper/ink performance. Most are utterly meaningless (without -detailed- explanations of the theory and practice behind them).

I've written a bit more on this in the Blog: Paper reviews - a warning

Print choices are a personal thing - if you're just going to choose papers by numbers then I think you're slightly missing the point..

See also: Do your prints have 'Depth'?

Other related info

All our paper/media reviews
Why don't my prints match my screen?
A short article showing why there is more to getting your prints to match your screen, than just calibrating your monitor. It's the vital first step, but you do need to consider some other factors for best results.
Canon iPF8300 - review notes
Canon iPF6300 - full review
Canon Pixma 9500 II review
HP Z3200 review.
Epson SP7880 review.
Epson SP4880 review.
Epson SP3880 review.
Epson 2880 review.
Black and white test image - a very harsh (but fair) test.
Media settings and profiling for third party inks
After converting an Epson Stylus COLOR 1160 to third party inks, Keith describes the profiling of this set-up with a third party glossy paper. He shows how that often neglected aspect of profiling -driver media settings- can make all the difference between a so-so print and one that he would be happy to send out as a sample to his commercial clients.
Colour management links on this site.

Have you found an article on the site useful or helpful? If so, please consider passing on a link to the article or mentioning it on a forum - Thanks to everyone who's helped the site become better known.

Explore our site... Digital Black and White photography and printing - some of Keiths thoughts, techniques and tips for those interested in a digital approach to black and white. We've lots of original Photography Articles and Photography Reviews on the site to help anyone interested in photography. New site content appears on the What's New page.

Thanks to the visitors who've made Amazon purchases (any kinds of items whatosever)
via: Amazon UK/Amazon France/Amazon Germany/Amazon USA/Amazon Canada
It won't save extra money we're afraid, but it does help in the running of the site, and we really appreciate it...

Northlight Images is based in Leicester in the UK and supplies Commercial Photography services
Visiting Leicester or wondering where it is? We have views from the Leicester traffic cameras.