Digital Black and White

Our specialist black and white digital photography page

We’ve lots of articles on this site covering black and white digital photography and other monochrome issues.

If you are just starting out with digital black and white, then this particular article may be of interest. It’s a 2020 version of the original I wrote in 2004.

The basics of Black & White digital photography

This page is the reference point for all our digital black and white photography related articles and reviews.

It covers all aspects from taking photos for black and white use, processing and editing them (converting colour to b&w) and producing black and white prints.

Articles listed here are those with significant sections dealing with aspects of black and white photography. There are also some of my older Black and White Photos in the Gallery

^ All about making this image
…from idea to print

Other article index pages

• Keith’s photo blog
• Articles and Reviews
• Prints and printing
• Photography book reviews
• Colour Management

Why Black and White

Black and white photography still inspires me.

I’m reminded of this quote from someone who’s original work, and ability to explore new techniques I admire:

– Ansel Adams
forward to his book “the Negative”, published January, 1980

Black and White Photography

The image to the right is a special black and white printer test image.

Keith Cooper has created it to test the quality of black and white printing.

This is the current version of our standard black and white printer test image, first published in 2005.

The test image incorporates a number of features designed to make it useful in testing and then improving monochrome print output.

Many features are also directly copied from the old version so as to maintain compatibility with existing test prints.

It’s quite a harsh test, but covers most areas where printers have difficulties, such as shadow detail, colour casts, and linearity.

All the various parts are explained and an A4 300ppi sized version is freely available for download. There are versions with a 51 and 21 step greyscale ramp available for creating QTR ‘correction’ profiles. There are also numerous articles that include its use.

Black and White photography articles on this site

The articles and reviews are grouped into different categories. You can look through all the articles via the categories selection at there right, or use the search box.

Articles

• Keith Cooper’s City Light Luminar presetsKeith's 'City Light' presets for MacPhun's Luminar photo editing software. Developed for architectural images when converting from colour to B&W. Before and after examples, and how they differ from 'straight' B&W conversions. Also using them as a luminance adjustment for colour images.
• Moving back to film photographyReturning to film? Rediscovering old film equipment offers a simpler more direct world of photography. Is it time for Keith to buy some camera batteries and rolls of film?
• The art of the big photographic landscape printWhat makes for a great looking large 'fine art' print? What differences do you need to consider when deciding to make larger prints (A2 and above). Larger prints are that work are far more than just more megapixels, sharper lenses and big printers.
• X-Rite i1iO and a B&W test imageThe X-Rite i1iO table and i1Pro2 spectrophotometer are used with a modified version of Keith's black and white test print (8 & 16 bit versions downloadable). Quick and easy check for monochrome print linearity includes chart averaging.
• Keith Cooper’s City Light Tonality PresetsKeith's 'City Light' presets for the MacPhun Tonality Pro plugin. Developed for architectural images when converting from colour to B&W. Before and after examples, and how they differ from 'straight' B&W conversions. Also using them as a luminance adjustment for colour images.
• Multiple Scans of Black and White film comparedAfter reviewing the Epson Perfection V850 film scanner, Keith Cooper looks at the same piece of film scanned in several different scanners, including drum scanning
• Print setup for a new fine art paperSetup and profiling an unknown new paper for colour and Black & White printing. Looking at the whole process including media settings and types, and creating icc printer profiles.
• Test image for black and white printingTest image for testing performance and quality of black and white (monochrome) printing. Article explains functionality of parts of the image

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Reviews

• Museo Silver Rag reviewLooking at Museo Silver Rag 300gsm semi-gloss cotton rag paper, tested on a Canon iPF8300. Paper supplied under the Canon Oce brand.
• Museo Max 250 cotton rag paperTesting Museo Max 250, a cotton OBA free smoothish ('velina') matt art paper on the Canon iPF8300. Includes print set-up details
• Review of Tonality Pro Review of Tonality Pro Software from Macphun to create black and white images from colour photographs. Plugin Version 1. Apple Mac software
• Review of Intensify ProReview of the MacPhun image editing plugin, Intensify Pro. Also available as standalone app. Edit with layers in Lightroom, tested with Photoshop.
• Review of DxO FilmPack V4.5DxO FilmPack Version 4.5 review. Accurate simulation of the look (grain colour and tonality) of a wide collection of film makes and types
• Innova FibaPrint Baryta IFA69 paper reviewInnova have announced a new 310 gsm paper with a Baryta (Barium Sulphate) layer for its whiteness and weight. It's a good white, and not too warm for more general use.
• Review of Topaz BW Effects 2 pluginBW Effects, review of Topaz Labs image editing plugin for converting colour photographs to black and white. Control over tonality and film emulation
• Canon iPF6400 – 6450 printer reviewDetailed review of the imagePROGRAF iPF6450 (ipF6400) 24 inch large format printer. Colour management and print setup for colour and black and white

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Printing

• Printing low megapixel images at large sizePrinting low megapixel images at large size, looking at resizing and image editing techniques that let you make larger prints than you thought possible. Getting good prints at A2 and 17" x 25" sizes
• Fotospeed Platinum Baryta 300 paper reviewFotospeed Platinum Baryta 300 paper review. Smooth unglazed gloss surface 300gsm natural white paper. Making large exhibition quality prints
• Better photography by printing your workBetter Photography from prints. Printing your photos is a useful skill to work on. 5 steps towards getting great prints that will help you improve all of your photography
• Fotospeed Metallic Lustre paper reviewFotospeed Metallic Lustre 275 gsm paper review. A microporous coated paper with a metallic lustre surface finish, for dye and pigment inks. A4 sheet to 44" roll sizes available
• Canon imagePROGRAF TX-3000 reviewTesting the Canon TX-3000 36" width printer. Keith Cooper reviews the Canon TX wide format printer and plotter for photo and graphics printing. Also covers the 24" TX-2000 printer and 44" TX-4000
• Fotospeed Matt art papers reviewFotospeed Platinum Cotton 305 and Cotton Etching 305 matt art papers review. Cotton acid free fine art paper. Natural white smooth and Etching finish bright white
• i1Studio update 1.1X-rite update i1Studio to version 1.1. Includes ability to save measurements from multiple charts when creating printer icc profiles (V2 and V4 supported)
• i1Studio calibration and profiling reviewX-Rite i1Studio calibration and profiling review. Calibrate monitors and projectors. Profile reflection and transmission scanners, and profile papers for colour and black and white printing.

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News

• Epson SureColor SC-P5000 STD Printer announcedLatest information about the new SureColor P5000 17" large format printer from Epson. The replacement for the SP4900 A2 sized desktop printer.
• Keith Cooper’s talks about printmakingKeith Cooper talks about making large prints at The Photography Show 2017 - Getting great looking big prints from your work. From camera to print, the complete workflow
• New Canon papers announcedCanon USA announce three new Premium Fine Art papers — Premium Fine Art Smooth, Premium Fine Art Bright White and Premium Polished Rag. Designed to produce, rich-color reproduction, and detailed expression of gradation. Keith has a roll of the Fine Art Smooth for an upcoming paper review

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More print related information

For information about other printers, paper reviews and profiling (colour management) see the Printing section of the main Articles and Reviews page, or use the search box at the top of any page. There are also specific index pages for any articles connected with the following topics:

• Digital Black and White
• Tutorials and 'How to' articles
• Colour Management
• Printer test images
• Why do your prints look wrong?

More of Keith's articles/reviews (Google's picks to match this page)