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We’ve lots of articles on this site covering digital black and white photography and other monochrome issues.
If you are just starting out with digital black and white, then this particular article may be of interest. It’s a 2020 version of the original I wrote in 2004.
This page is the reference point for all our digital black and white photography related articles and reviews.
It covers all aspects from taking photos for black and white use, processing and editing them (converting colour to b&w) and producing black and white prints.
Articles listed here are those with significant sections dealing with aspects of black and white photography. There are also some of my older Black and White Photos in the Gallery
Reference pages and test images
- Printer Test Images
- B&W printer test image
- Printer cleaning
- Paper reviews
- Black & White from colour – 20+ conversion techniques
Videos
- Keith’s YouTube channel has a specific digital black and white playlist.
Current printer reviews (include B&W sections)
Why Black and White
Black and white photography still inspires me.
I’m reminded of this quote from someone who’s original work, and ability to explore new techniques I admire:
“I eagerly await new concepts and processes. I believe that the electronic image will be the next major advance. Such systems will have their own inherent and inescapable structural characteristics, and the artist and functional practitioner will again strive to comprehend and control them.”
– Ansel Adams
forward to his book “the Negative”, published January, 1980
Digital Black and White Photography
The image to the right is a special black and white printer test image.
Keith Cooper has created it to test the quality of black and white printing.
This is the current version of our standard black and white printer test image, first published in 2005.
The test image incorporates a number of features designed to make it useful in testing and then improving monochrome print output.
Many features are also directly copied from the old version so as to maintain compatibility with existing test prints.
It’s quite a harsh test, but covers most areas where printers have difficulties, such as shadow detail, colour casts, and linearity.
All the various parts are explained and an A4 300ppi sized version is freely available for download. There are versions with a 51 and 21 step greyscale ramp available for creating QTR ‘correction’ profiles. There are also numerous articles that include its use.
Black and White photography articles on this site
The articles and reviews are grouped into different categories. You can look through all the articles via the categories selection at there right, or use the search box.
Videos
- Video: What is the best photo printerWhat is the best photo printer? I'm often asked about printer and print quality, but unless you know what it is you actually want the printer for, then it's difficult to answer. Some of the ways I decide what's good about a printer I'm reviewing
- Hahnemuhle natural line papersVideo and notes: Hahnemuhle natural line papers. The four tested are based on bamboo, hemp, agave and sugar cane fibres. Fine Art printing colour and B&W
- Video: Fixing unwanted colour tints in black and white photo printsVideo: Fixing unwanted colour tints in black and white photo prints. How to adjust the B&W printing mode for Epson and Canon printers. Removing green/brown/magenta casts seen in prints under some lighting
- Video: making ICC printer profiles for my reviewsVideo: Making icc printer profiles for my reviews. A review of using i1Profiler and the i1iSis spectrophotometer for making printer profiles
- Video: BW print workflowVideo: An example fine art BW print workflow with the 100MP GFX100S. Making a large black and white print from a medium format image
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Articles
- A personal health warning about paper reviewsWhy you should be wary of paper reviews. Reviews for specialist inkjet photo printing papers may contain lots of measurement data, but paper choice is about so much more than that. There are so many other aspects of your photographic workflow that need looking at too.
- Do your prints have depth?What is 'Depth'? How do you describe your photo prints? Or, more to the point, how do I actually know what you mean and how can I be sure?
- Printing greyscale images and removing unwanted colour tintsAddressing problems with black and white printing. Some subtle changes in print colour casts with lighting changes, and removing colour tints from monochrome prints.
- Keith Cooper and black and white photographyBased on a lengthy interview for a magazine article, Keith Cooper talks about his black and white photography, influences and techniques
- Black and white photo printingKeith Cooper is interviewed about his approach to printing his black and white photography. Extended version with additional notes and information from a printed magazine article.
- Which side of the paper to print onSome fine art papers look almost the same on each side. How to tell which side of the paper to print on if you are unsure
- Media settings – Printer Test ImagesTest images for optimising media settings when printing. Essential to check before profiling papers to know if too much (or too little) ink is being used for the particular paper chosen
- Photography Tutorial – Making a black and white landscape printMaking a black and white landscape print. A photography tutorial covering the steps needed to produce a black and white print from a colour image.
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There are over 1300 free articles, videos and reviews on the site - thanks to everyone who helps support it. We appreciate any purchases you make through our partners such as B&H which help us sustain the site.
Reviews
- Canon TC-20M printer reviewDetailed Canon imagePROGRAF PRO-300 printer review. Keith tests the PRO-300 pigment ink printer with a range of glossy and fine-art media, including panoramic prints up to 990mm (~39") long
- Epson ET-18100 printer reviewFull Epson ET-18100 printer review. The 13""/A3+ sized six ink EcoTank printer filled from individual 70ml bottles of dye ink . Dye based printer excels
- Epson ET-8500 printer reviewFull review of the Epson ET-8500 EcoTank printer. The 8.5"/A4 six ink printer includes both pigment and dye based black inks which are filled from 70ml bottles of ink. Is it a good choice to learn high end art and photo printing?
- Epson ET-2850 printer reviewEpson ET-2580 printer review. The EcoTank 8.5"/A4/Letter four ink printer includes pigment based black ink and dye based colour inks which are filled from 127ml/70ml bottles of ink.
- Review – Two baryta papers RR Big Bend and Palo DuroPaper review and video for two baryta papers. Red River Big Bend 310gsm and Palo Duro 300gsm tested on the pigment ink Epson P5000 and dye ink Canon PRO-200
- Innova Exhibition Cotton Gloss IFA45 ReviewPaper review for Innova Exhibition Cotton Gloss 335gsm Rag cotton based photo paper. IFA-45 Smooth natural white gloss paper with no optical brighteners
- Innova resin coated matte IFA178 ReviewA review of the new Resin Coated Photo Premium Matte paper from Innova (IFA178). Keith looks at this bright white, ultra-smooth matte paper, for colour and B&W photo prints. Includes video review
- Epson SureColor P7500 printer reviewDetailed review of the Epson SureColor SC-P7500 24" width large format printer. Using the P7500 for fine art and photo printing. Review applies to the larger 44" SC-P9500 as well. P7500 is also known as the P7540, P7550 ,P7560 and P7570 in some markets
Printing
- Epson P5000 printer reviewReview of the Epson Surecolor P5000 printer. 17 inch width A2, with roll support and paper cartridge for sheet media. Looking at print capabilities and colour management
- Epson SC-P20000 printer reviewReview of the Epson SC-P20000 printer by Keith Cooper. 64 inch width large format printer with new UltraChrome Pro 10-colour ink-set including high density Mk/Pk inks and three grey inks for better Black & White printing
- The art of the big photographic landscape printWhat makes for a great looking large 'fine art' print? What differences do you need to consider when deciding to make larger prints (A2 and above). Larger prints are that work are far more than just more megapixels, sharper lenses and big printers.
- Keith Cooper’s talks about printmakingKeith Cooper talks about making large prints at The Photography Show 2017 - Getting great looking big prints from your work. From camera to print, the complete workflow
- Paper review Platinum Gloss Art Fibre 300Paper review, looking at Platinum Gloss Art Fibre 300gsm paper by Fotospeed. Tested on the Canon PRO-2000 pigment ink printer for colour and black and white printing
- Impressora pro photo media reviewReview of six different papers from the Impressora range of photo media, from Canvas to cotton rag paper to glossy metallic finish. All tested on the Canon PRO-2000 printer
- Canon smooth fine art paper reviewCanon paper review: Premium Fine Art Smooth (PremFAS) smooth finish matte art paper. Neutral white, OBA free and archival. 310gsm weight
- New Canon papers announcedCanon USA announce three new Premium Fine Art papers — Premium Fine Art Smooth, Premium Fine Art Bright White and Premium Polished Rag. Designed to produce, rich-color reproduction, and detailed expression of gradation. Keith has a roll of the Fine Art Smooth for an upcoming paper review
News
- Epson SureColor SC-P5000 STD Printer announcedLatest information about the new SureColor P5000 17" large format printer from Epson. The replacement for the SP4900 A2 sized desktop printer.
- Keith Cooper’s talks about printmakingKeith Cooper talks about making large prints at The Photography Show 2017 - Getting great looking big prints from your work. From camera to print, the complete workflow
- New Canon papers announcedCanon USA announce three new Premium Fine Art papers — Premium Fine Art Smooth, Premium Fine Art Bright White and Premium Polished Rag. Designed to produce, rich-color reproduction, and detailed expression of gradation. Keith has a roll of the Fine Art Smooth for an upcoming paper review
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