Digital Black and White

Our specialist black and white digital photography page

We’ve lots of articles on this site covering black and white digital photography and other monochrome issues.

If you are just starting out with digital black and white, then this particular article may be of interest. It’s a 2020 version of the original I wrote in 2004.

The basics of Black & White digital photography

This page is the reference point for all our digital black and white photography related articles and reviews.

It covers all aspects from taking photos for black and white use, processing and editing them (converting colour to b&w) and producing black and white prints.

Articles listed here are those with significant sections dealing with aspects of black and white photography. There are also some of my older Black and White Photos in the Gallery

^ All about making this image
…from idea to print

Other article index pages

• Keith’s photo blog
• Articles and Reviews
• Prints and printing
• Photography book reviews
• Colour Management

Why Black and White

Black and white photography still inspires me.

I’m reminded of this quote from someone who’s original work, and ability to explore new techniques I admire:

– Ansel Adams
forward to his book “the Negative”, published January, 1980

Black and White Photography

The image to the right is a special black and white printer test image.

Keith Cooper has created it to test the quality of black and white printing.

This is the current version of our standard black and white printer test image, first published in 2005.

The test image incorporates a number of features designed to make it useful in testing and then improving monochrome print output.

Many features are also directly copied from the old version so as to maintain compatibility with existing test prints.

It’s quite a harsh test, but covers most areas where printers have difficulties, such as shadow detail, colour casts, and linearity.

All the various parts are explained and an A4 300ppi sized version is freely available for download. There are versions with a 51 and 21 step greyscale ramp available for creating QTR ‘correction’ profiles. There are also numerous articles that include its use.

Black and White photography articles on this site

The articles and reviews are grouped into different categories. You can look through all the articles via the categories selection at there right, or use the search box.

Articles

• Keith Cooper’s City Light Luminar presetsKeith's 'City Light' presets for MacPhun's Luminar photo editing software. Developed for architectural images when converting from colour to B&W. Before and after examples, and how they differ from 'straight' B&W conversions. Also using them as a luminance adjustment for colour images.
• Moving back to film photographyReturning to film? Rediscovering old film equipment offers a simpler more direct world of photography. Is it time for Keith to buy some camera batteries and rolls of film?
• The art of the big photographic landscape printWhat makes for a great looking large 'fine art' print? What differences do you need to consider when deciding to make larger prints (A2 and above). Larger prints are that work are far more than just more megapixels, sharper lenses and big printers.
• X-Rite i1iO and a B&W test imageThe X-Rite i1iO table and i1Pro2 spectrophotometer are used with a modified version of Keith's black and white test print (8 & 16 bit versions downloadable). Quick and easy check for monochrome print linearity includes chart averaging.
• Keith Cooper’s City Light Tonality PresetsKeith's 'City Light' presets for the MacPhun Tonality Pro plugin. Developed for architectural images when converting from colour to B&W. Before and after examples, and how they differ from 'straight' B&W conversions. Also using them as a luminance adjustment for colour images.
• Multiple Scans of Black and White film comparedAfter reviewing the Epson Perfection V850 film scanner, Keith Cooper looks at the same piece of film scanned in several different scanners, including drum scanning
• Print setup for a new fine art paperSetup and profiling an unknown new paper for colour and Black & White printing. Looking at the whole process including media settings and types, and creating icc printer profiles.
• Test image for black and white printingTest image for testing performance and quality of black and white (monochrome) printing. Article explains functionality of parts of the image

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Reviews

• Epson SC-P700 printer reviewDetailed review of the Epson SC-P700 13" (A3+) pigment ink printer with sheet feed and roll paper holder. 10 inks and no matte/photo black ink switching
• Canon PRO-300 printer reviewDetailed Canon imagePROGRAF PRO-300 printer review. Keith tests the PRO-300 pigment ink printer with a range of glossy and fine-art media, including panoramic prints up to 990mm (~39") long
• PermaJet FB Gold Silk 315 reviewReview: PermaJet FB Gold Silk 315 glossy baryta paper. The 315gsm Gold Silk paper has been reformulated with a smoother surface finish and improved coatings.
• Review of DxO Nik Collection 3Review of Nik Collection 3 by DxO - The Image editing plugins are updated and expanded to fit more varied workflow choices without losing the original Nik functionality. Demo available.
• PermaJet FB Pearl 300gsmPaper review: Permajet FB Pearl 300gsm lustre/pearl finish photo paper. Fibre based baryta paper for pigment and dye based inks - give a bit more of a 'darkroom' feel to some images
• Permajet Titanium Gloss 300 metallicPaper review: Permajet Titanium Gloss 300gsm metallic gloss finish photo paper. High gloss paper for pigment and dye based inks
• X-Rite i1Photo Pro 3 plus reviewReview of the X-Rite i1Photo Pro 3 Plus monitor, scanner and printer profiling package using the i1Pro 3 Plus spectrophotometer. Backlit printed materials can now be profiled, and the spectrophotometer has an M3 option for polarised measurements
• Panoramic printing review using Fotospeed paperWide prints and panoramic photo composition. Review of Fotospeed panoramic paper (210mm x 594mm) for wide prints colour and black and white. Some thoughts about making wide prints work.

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Printing

• Permajet Titanium Gloss 300 metallicPaper review: Permajet Titanium Gloss 300gsm metallic gloss finish photo paper. High gloss paper for pigment and dye based inks
• Fine tuning black and white photo printingFine tuning black and white photo printing with a flatbed scanner when using using monochrome print settings such as Epson ABW or Canon Black and White photo print modes. Test for optimal media settings. Print linearisation with curves.
• Black and white linearisation with the i1Pro 3Updated linearisation for black and white printing with the X-Rite i1Pro3 spectrophotometer. Using the free chart measurement features of i1Profiler. Includes files and data for incorporating test strips into printer test images
• X-Rite i1Photo Pro 3 plus reviewReview of the X-Rite i1Photo Pro 3 Plus monitor, scanner and printer profiling package using the i1Pro 3 Plus spectrophotometer. Backlit printed materials can now be profiled, and the spectrophotometer has an M3 option for polarised measurements
• Panoramic printing review using Fotospeed paperWide prints and panoramic photo composition. Review of Fotospeed panoramic paper (210mm x 594mm) for wide prints colour and black and white. Some thoughts about making wide prints work.
• SpyderX Studio reviewReview of the Spyder X Studio kit from Datacolor. Includes the Spyder X Elite monitor calibrator, SpyderCube white balance and exposure tool and SpyderPrint printer profiling kit for creating ICC printer profiles
• Fotospeed Fotospeed Smooth Cotton 300 paper reviewFotospeed Smooth cotton 300 paper review. Smooth matte surface surface, Cotton based 300gsm white paper. Takes a good ink load and for a matte paper gives solid colour and B&W tonality
• Fotospeed Legacy Gloss 325 paper reviewFotospeed Legacy Gloss 325 paper review. Smooth unglazed gloss surface, Cotton based 325gsm natural warm white paper. OBA free. Making large exhibition quality prints.

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News

• Epson SureColor SC-P5000 STD Printer announcedLatest information about the new SureColor P5000 17" large format printer from Epson. The replacement for the SP4900 A2 sized desktop printer.
• Keith Cooper’s talks about printmakingKeith Cooper talks about making large prints at The Photography Show 2017 - Getting great looking big prints from your work. From camera to print, the complete workflow
• New Canon papers announcedCanon USA announce three new Premium Fine Art papers — Premium Fine Art Smooth, Premium Fine Art Bright White and Premium Polished Rag. Designed to produce, rich-color reproduction, and detailed expression of gradation. Keith has a roll of the Fine Art Smooth for an upcoming paper review

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More print related information

For information about other printers, paper reviews and profiling (colour management) see the Printing section of the main Articles and Reviews page, or use the search box at the top of any page. There are also specific index pages for any articles connected with the following topics:

• Digital Black and White
• Tutorials and 'How to' articles
• Colour Management
• Printer test images
• Why do your prints look wrong?

More of Keith's articles/reviews (Google's picks to match this page)