Digital Black and White

Our specialist black and white digital photography page

We’ve lots of articles on this site covering black and white digital photography and other monochrome issues.

If you are just starting out with digital black and white, then this particular article may be of interest. It’s a 2020 version of the original I wrote in 2004.

The basics of Black & White digital photography

This page is the reference point for all our digital black and white photography related articles and reviews.

It covers all aspects from taking photos for black and white use, processing and editing them (converting colour to b&w) and producing black and white prints.

Articles listed here are those with significant sections dealing with aspects of black and white photography. There are also some of my older Black and White Photos in the Gallery

^ All about making this image
…from idea to print

Other article index pages

• Keith’s photo blog
• Articles and Reviews
• Prints and printing
• Photography book reviews
• Colour Management

Why Black and White

Black and white photography still inspires me.

I’m reminded of this quote from someone who’s original work, and ability to explore new techniques I admire:

– Ansel Adams
forward to his book “the Negative”, published January, 1980

Black and White Photography

The image to the right is a special black and white printer test image.

Keith Cooper has created it to test the quality of black and white printing.

This is the current version of our standard black and white printer test image, first published in 2005.

The test image incorporates a number of features designed to make it useful in testing and then improving monochrome print output.

Many features are also directly copied from the old version so as to maintain compatibility with existing test prints.

It’s quite a harsh test, but covers most areas where printers have difficulties, such as shadow detail, colour casts, and linearity.

All the various parts are explained and an A4 300ppi sized version is freely available for download. There are versions with a 51 and 21 step greyscale ramp available for creating QTR ‘correction’ profiles. There are also numerous articles that include its use.

Black and White photography articles on this site

The articles and reviews are grouped into different categories. You can look through all the articles via the categories selection at there right, or use the search box.

Articles

• Printing greyscale images and removing unwanted colour tintsAddressing problems with black and white printing. Some subtle changes in print colour casts with lighting changes, and removing colour tints from monochrome prints.
• Keith Cooper and black and white photographyBased on a lengthy interview for a magazine article, Keith Cooper talks about his black and white photography, influences and techniques
• Black and white photo printingKeith Cooper is interviewed about his approach to printing his black and white photography. Extended version with additional notes and information from a printed magazine article.
• Which side of the paper to print onSome fine art papers look almost the same on each side. How to tell which side to print on if you are unsure
• Media settings – Printer Test ImagesTest images for optimising media settings when printing. Essential to check before profiling papers to know if too much (or too little) ink is being used for the particular paper chosen
• Photography Tutorial – Making a black and white landscape printMaking a black and white landscape print. A photography tutorial covering the steps needed to produce a black and white print from a colour image.
• Better black and white profiling with the ColorMunkiUsing the Colormunki to create QuadToneRIP (QTR) linearising icc profiles for black and white printmaking. Smoother gradations and unblocked shadows
• Printing Black and White digital photographyPrinting Black and White digital photography, is the second part of an interview with Keith Cooper about all aspects of digital monochrome photography

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Reviews

• Epson SC-P700 printer reviewDetailed review of the Epson SC-P700 13" (A3+) pigment ink printer with sheet feed and roll paper holder. 10 inks and no matte/photo black ink switching
• Canon PRO-300 printer reviewDetailed Canon imagePROGRAF PRO-300 printer review. Keith tests the PRO-300 pigment ink printer with a range of glossy and fine-art media, including panoramic prints up to 990mm (~39") long
• PermaJet FB Gold Silk 315 reviewReview: PermaJet FB Gold Silk 315 glossy baryta paper. The 315gsm Gold Silk paper has been reformulated with a smoother surface finish and improved coatings.
• Review of DxO Nik Collection 3Review of Nik Collection 3 by DxO - The Image editing plugins are updated and expanded to fit more varied workflow choices without losing the original Nik functionality. Demo available.
• PermaJet FB Pearl 300gsmPaper review: Permajet FB Pearl 300gsm lustre/pearl finish photo paper. Fibre based baryta paper for pigment and dye based inks - give a bit more of a 'darkroom' feel to some images
• Permajet Titanium Gloss 300 metallicPaper review: Permajet Titanium Gloss 300gsm metallic gloss finish photo paper. High gloss paper for pigment and dye based inks
• X-Rite i1Photo Pro 3 plus reviewReview of the X-Rite i1Photo Pro 3 Plus monitor, scanner and printer profiling package using the i1Pro 3 Plus spectrophotometer. Backlit printed materials can now be profiled, and the spectrophotometer has an M3 option for polarised measurements
• Panoramic printing review using Fotospeed paperWide prints and panoramic photo composition. Review of Fotospeed panoramic paper (210mm x 594mm) for wide prints colour and black and white. Some thoughts about making wide prints work.

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Printing

• Innova Fabriano Art papers reviewPaper review: Two new Innova mould made heavy matte fine art rag based papers from the Fabriano paper mill. IFA-107 and IFA-108. OBA free archival papers
• X-Rite i1iO and a B&W test imageThe X-Rite i1iO table and i1Pro2 spectrophotometer are used with a modified version of Keith's black and white test print (8 & 16 bit versions downloadable). Quick and easy check for monochrome print linearity includes chart averaging.
• Canon imagePROGRAF PRO-2000 printer reviewDetailed review of the Canon imagePROGRAF PRO-2000 24" pigment ink printer. 11 inks and a gloss optimiser coat. Dual roll feed option. Roll and sheet media tested, including a print over 7m long.
• Mirage print software review (V3.5)A review of the Mirage print software by Dinax. Tested with the Canon PRO-2000 printer, the software now supports Canon and Epson large format printers. One feature is its freedom from print length limitations, ideal for huge pano prints at photo print resolutions.
• Epson Expression Photo XP-960 printer reviewReview of the Epson Expression Photo XP-960 printer. All-in-one printer/scanner/copier that supports double sided printing and photo prints up to A3 size (11"x17"). Dual paper tray
• Canon PRO-1000 printer reviewDetailed review of the Canon imagePROGRAF PRO-1000 17" pigment ink printer. 11 inks and a colour optimiser coat. Tested for colour and B&W printing on a range of media types. Paper sixes up to A2, with borderless print options.
• Epson SureColor P7000 printer reviewDetailed review of the Epson SureColor SC-P7000 24" width large format printer. Using the P7000 for fine art and photo printing with the LLk ink option. Review applies to the larger 44" SC-P9000 as well.
• Canon iPF8300 review and notesOngoing Canon iPF8300 review and notes about using the imagePROGRAF iPF8300 44 inch large format printer, by Keith Cooper. Notes date back to setting up the printer in November 2010

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News

• Epson SureColor SC-P5000 STD Printer announcedLatest information about the new SureColor P5000 17" large format printer from Epson. The replacement for the SP4900 A2 sized desktop printer.
• Keith Cooper’s talks about printmakingKeith Cooper talks about making large prints at The Photography Show 2017 - Getting great looking big prints from your work. From camera to print, the complete workflow
• New Canon papers announcedCanon USA announce three new Premium Fine Art papers — Premium Fine Art Smooth, Premium Fine Art Bright White and Premium Polished Rag. Designed to produce, rich-color reproduction, and detailed expression of gradation. Keith has a roll of the Fine Art Smooth for an upcoming paper review

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More print related information

For information about other printers, paper reviews and profiling (colour management) see the Printing section of the main Articles and Reviews page, or use the search box at the top of any page. There are also specific index pages for any articles connected with the following topics:

• Digital Black and White
• Tutorials and 'How to' articles
• Colour Management
• Printer test images
• Why do your prints look wrong?

More of Keith's articles/reviews (Google's picks to match this page)