Digital Black and White

Our specialist black and white digital photography page

We’ve lots of articles on this site covering black and white digital photography and other monochrome issues.

If you are just starting out with digital black and white, then this particular article may be of interest. It’s a 2020 version of the original I wrote in 2004.

The basics of Black & White digital photography

This page is the reference point for all our digital black and white photography related articles and reviews.

It covers all aspects from taking photos for black and white use, processing and editing them (converting colour to b&w) and producing black and white prints.

Articles listed here are those with significant sections dealing with aspects of black and white photography. There are also some of my older Black and White Photos in the Gallery

^ All about making this image
…from idea to print

Other article index pages

• Keith’s photo blog
• Articles and Reviews
• Prints and printing
• Photography book reviews
• Colour Management

Why Black and White

Black and white photography still inspires me.

I’m reminded of this quote from someone who’s original work, and ability to explore new techniques I admire:

– Ansel Adams
forward to his book “the Negative”, published January, 1980

Black and White Photography

The image to the right is a special black and white printer test image.

Keith Cooper has created it to test the quality of black and white printing.

This is the current version of our standard black and white printer test image, first published in 2005.

The test image incorporates a number of features designed to make it useful in testing and then improving monochrome print output.

Many features are also directly copied from the old version so as to maintain compatibility with existing test prints.

It’s quite a harsh test, but covers most areas where printers have difficulties, such as shadow detail, colour casts, and linearity.

All the various parts are explained and an A4 300ppi sized version is freely available for download. There are versions with a 51 and 21 step greyscale ramp available for creating QTR ‘correction’ profiles. There are also numerous articles that include its use.

Black and White photography articles on this site

The articles and reviews are grouped into different categories. You can look through all the articles via the categories selection at there right, or use the search box.

Articles

• Black and white print linearisation with i1Profiler and QTRBlack and white print linearisation using QTR icc profiles created with X-Rite i1Profiler software and the i1Pro spectrophotometer
• Black and white from ColourLarge collection of methods and techniques for converting colour images to black and white. Photoshop techniques and references to specialist plugins
• Is your printer OK for black and white photography?Choosing a good printer for black and white photography is nowhere as easy as it is for colour. Keith looks over some of the options, including getting better black and white out of your existing printer.
• Using Nik Silver Efex Pro 2 for dull colour imagesContrast boosting by using Nik Silver Efex Pro 2 for dull colour images. Using software designed for producing black and white images to adjust image luminosity
• What paper should I use?With a massive range of different papers available, how should you go about seeing which papers work best for your photos. Some of the choices you can consider when looking at paper types and brands for printing your photographs
• 3×3 quick tips for improving your black and white photographyA collection of quick tips that can help improve the quality of your black and white photography. Simple steps to better monochrome pictures
• Sea of stepsA chance to see how a modern ultra wide shift lens performs on a familiar view of Wells Cathedral. Sea of steps - photography inspired by the work of FH Evans in 1903
• A personal health warning about paper reviewsWhy you should be wary of paper reviews. Reviews for specialist inkjet photo printing papers may contain lots of measurement data, but paper choice is about so much more than that. There are so many other aspects of your photographic workflow that need looking at too.

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Reviews

• Canon PRO-200 printer reviewDetailed Canon imagePROGRAF PRO-300 printer review. Keith tests the PRO-300 pigment ink printer with a range of glossy and fine-art media, including panoramic prints up to 990mm (~39") long
• Epson SC-P900 printer reviewDetailed review of the Epson SC-P900 17" (A2) pigment ink printer with sheet feed and optional powered roll paper holder. It has 10 inks and no matte/photo black ink switching
• Epson SC-P700 printer reviewDetailed review of the Epson SC-P700 13" (A3+) pigment ink printer with sheet feed and roll paper holder. 10 inks and no matte/photo black ink switching
• Canon PRO-300 printer reviewDetailed Canon imagePROGRAF PRO-300 printer review. Keith tests the PRO-300 pigment ink printer with a range of glossy and fine-art media, including panoramic prints up to 990mm (~39") long
• PermaJet FB Gold Silk 315 reviewReview: PermaJet FB Gold Silk 315 glossy baryta paper. The 315gsm Gold Silk paper has been reformulated with a smoother surface finish and improved coatings.
• Review of DxO Nik Collection 3Review of Nik Collection 3 by DxO - The Image editing plugins are updated and expanded to fit more varied workflow choices without losing the original Nik functionality. Demo available.
• PermaJet FB Pearl 300gsmPaper review: Permajet FB Pearl 300gsm lustre/pearl finish photo paper. Fibre based baryta paper for pigment and dye based inks - give a bit more of a 'darkroom' feel to some images
• Permajet Titanium Gloss 300 metallicPaper review: Permajet Titanium Gloss 300gsm metallic gloss finish photo paper. High gloss paper for pigment and dye based inks

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Printing

• Fotospeed Matt art papers reviewFotospeed Platinum Cotton 305 and Cotton Etching 305 matt art papers review. Cotton acid free fine art paper. Natural white smooth and Etching finish bright white
• i1Studio update 1.1X-rite update i1Studio to version 1.1. Includes ability to save measurements from multiple charts when creating printer icc profiles (V2 and V4 supported)
• i1Studio calibration and profiling reviewX-Rite i1Studio calibration and profiling review. Calibrate monitors and projectors. Profile reflection and transmission scanners, and profile papers for colour and black and white printing.
• Review of the Epson P5000 printerReview of the Epson Surecolor P5000 printer. 17 inch width A2, with roll support and paper cartridge for sheet media. Looking at print capabilities and colour management
• Epson SC-P20000 printer reviewReview of the Epson SC-P20000 printer by Keith Cooper. 64 inch width large format printer with new UltraChrome Pro 10-colour ink-set including high density Mk/Pk inks and three grey inks for better Black & White printing
• The art of the big photographic landscape printWhat makes for a great looking large 'fine art' print? What differences do you need to consider when deciding to make larger prints (A2 and above). Larger prints are that work are far more than just more megapixels, sharper lenses and big printers.
• Keith Cooper’s talks about printmakingKeith Cooper talks about making large prints at The Photography Show 2017 - Getting great looking big prints from your work. From camera to print, the complete workflow
• Paper review Platinum Gloss Art Fibre 300Paper review, looking at Platinum Gloss Art Fibre 300gsm paper by Fotospeed. Tested on the Canon PRO-2000 pigment ink printer for colour and black and white printing

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News

• Epson SureColor SC-P5000 STD Printer announcedLatest information about the new SureColor P5000 17" large format printer from Epson. The replacement for the SP4900 A2 sized desktop printer.
• Keith Cooper’s talks about printmakingKeith Cooper talks about making large prints at The Photography Show 2017 - Getting great looking big prints from your work. From camera to print, the complete workflow
• New Canon papers announcedCanon USA announce three new Premium Fine Art papers — Premium Fine Art Smooth, Premium Fine Art Bright White and Premium Polished Rag. Designed to produce, rich-color reproduction, and detailed expression of gradation. Keith has a roll of the Fine Art Smooth for an upcoming paper review

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More print related information

For information about other printers, paper reviews and profiling (colour management) see the Printing section of the main Articles and Reviews page, or use the search box at the top of any page. There are also specific index pages for any articles connected with the following topics:

• Digital Black and White
• Tutorials and 'How to' articles
• Colour Management
• Printer test images
• Why do your prints look wrong?

More of Keith's articles/reviews (Google's picks to match this page)