Digital Black and White

Our specialist black and white digital photography page

We’ve lots of articles on this site covering black and white digital photography and other monochrome issues.

If you are just starting out with digital black and white, then this particular article may be of interest. It’s a 2020 version of the original I wrote in 2004.

The basics of Black & White digital photography

This page is the reference point for all our digital black and white photography related articles and reviews.

It covers all aspects from taking photos for black and white use, processing and editing them (converting colour to b&w) and producing black and white prints.

Articles listed here are those with significant sections dealing with aspects of black and white photography. There are also some of my older Black and White Photos in the Gallery

^ All about making this image
…from idea to print

Other article index pages

• Keith’s photo blog
• Articles and Reviews
• Prints and printing
• Photography book reviews
• Colour Management

Why Black and White

Black and white photography still inspires me.

I’m reminded of this quote from someone who’s original work, and ability to explore new techniques I admire:

– Ansel Adams
forward to his book “the Negative”, published January, 1980

Black and White Photography

The image to the right is a special black and white printer test image.

Keith Cooper has created it to test the quality of black and white printing.

This is the current version of our standard black and white printer test image, first published in 2005.

The test image incorporates a number of features designed to make it useful in testing and then improving monochrome print output.

Many features are also directly copied from the old version so as to maintain compatibility with existing test prints.

It’s quite a harsh test, but covers most areas where printers have difficulties, such as shadow detail, colour casts, and linearity.

All the various parts are explained and an A4 300ppi sized version is freely available for download. There are versions with a 51 and 21 step greyscale ramp available for creating QTR ‘correction’ profiles. There are also numerous articles that include its use.

Black and White photography articles on this site

The articles and reviews are grouped into different categories. You can look through all the articles via the categories selection at there right, or use the search box.

Articles

• Using Silver Efex Pro for colour printsUsing software to create monochrome images that are blended with colour images using luminosity blending to give more punch to dull photos
• Reducing halos with Silver Efex Pro 2Ways of using colour to black and white conversion software such as Nik Silver Efex Pro that do not produce unwanted halo effects around objects. Ensuring that trees don't make the sky lighter for example
• Making a black and white photographThe whole process of making a large black and white photograph, right from stopping to take the photo, through to final fine-art printmaking.
• Producing better photographsWhy you probably don't need to rush out and spend money to improve your photography - it about thinking more, and taking more photos. New cameras and lenses are nice but not as essential as you might think
• Re-using the zone system?With its origins in the exposure and development of film, do aspects of the zone system still work in today's digital black and white photography?
• Industrial photography in a foundryPreparation and subsequent image processing required when taking photographs in a working foundry. Also looks at how final size affect image editing
• Black and white print linearisation with the i1Pro 2Using the X-Rite i1Pro 2 spectrophotometer to measure black and white test print targets to create linearising curves and profile with the QTR software package
• Black and white print linearisation with i1Profiler and QTRBlack and white print linearisation using QTR icc profiles created with X-Rite i1Profiler software and the i1Pro spectrophotometer

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Reviews

• Epson SC-P700 printer reviewDetailed review of the Epson SC-P700 13" (A3+) pigment ink printer with sheet feed and roll paper holder. 10 inks and no matte/photo black ink switching
• Canon PRO-300 printer reviewDetailed Canon imagePROGRAF PRO-300 printer review. Keith tests the PRO-300 pigment ink printer with a range of glossy and fine-art media, including panoramic prints up to 990mm (~39") long
• PermaJet FB Gold Silk 315 reviewReview: PermaJet FB Gold Silk 315 glossy baryta paper. The 315gsm Gold Silk paper has been reformulated with a smoother surface finish and improved coatings.
• Review of DxO Nik Collection 3Review of Nik Collection 3 by DxO - The Image editing plugins are updated and expanded to fit more varied workflow choices without losing the original Nik functionality. Demo available.
• PermaJet FB Pearl 300gsmPaper review: Permajet FB Pearl 300gsm lustre/pearl finish photo paper. Fibre based baryta paper for pigment and dye based inks - give a bit more of a 'darkroom' feel to some images
• Permajet Titanium Gloss 300 metallicPaper review: Permajet Titanium Gloss 300gsm metallic gloss finish photo paper. High gloss paper for pigment and dye based inks
• X-Rite i1Photo Pro 3 plus reviewReview of the X-Rite i1Photo Pro 3 Plus monitor, scanner and printer profiling package using the i1Pro 3 Plus spectrophotometer. Backlit printed materials can now be profiled, and the spectrophotometer has an M3 option for polarised measurements
• Panoramic printing review using Fotospeed paperWide prints and panoramic photo composition. Review of Fotospeed panoramic paper (210mm x 594mm) for wide prints colour and black and white. Some thoughts about making wide prints work.

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Printing

• Black and white linearisation with the i1Pro 3Updated linearisation for black and white printing with the X-Rite i1Pro3 spectrophotometer. Using the free chart measurement features of i1Profiler. Includes files and data for incorporating test strips into printer test images
• X-Rite i1Photo Pro 3 plus reviewReview of the X-Rite i1Photo Pro 3 Plus monitor, scanner and printer profiling package using the i1Pro 3 Plus spectrophotometer. Backlit printed materials can now be profiled, and the spectrophotometer has an M3 option for polarised measurements
• Printer Test ImagesCollection of printer test images - colour and monochrome (black and white). Test photos for printer and monitor checking.
• Panoramic printing review using Fotospeed paperWide prints and panoramic photo composition. Review of Fotospeed panoramic paper (210mm x 594mm) for wide prints colour and black and white. Some thoughts about making wide prints work.
• SpyderX Studio reviewReview of the Spyder X Studio kit from Datacolor. Includes the Spyder X Elite monitor calibrator, SpyderCube white balance and exposure tool and SpyderPrint printer profiling kit for creating ICC printer profiles
• Fotospeed Fotospeed Smooth Cotton 300 paper reviewFotospeed Smooth cotton 300 paper review. Smooth matte surface surface, Cotton based 300gsm white paper. Takes a good ink load and for a matte paper gives solid colour and B&W tonality
• Fotospeed Legacy Gloss 325 paper reviewFotospeed Legacy Gloss 325 paper review. Smooth unglazed gloss surface, Cotton based 325gsm natural warm white paper. OBA free. Making large exhibition quality prints.
• Printing low megapixel images at large sizePrinting low megapixel images at large size, looking at resizing and image editing techniques that let you make larger prints than you thought possible. Getting good prints at A2 and 17" x 25" sizes

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News

• Epson SureColor SC-P5000 STD Printer announcedLatest information about the new SureColor P5000 17" large format printer from Epson. The replacement for the SP4900 A2 sized desktop printer.
• Keith Cooper’s talks about printmakingKeith Cooper talks about making large prints at The Photography Show 2017 - Getting great looking big prints from your work. From camera to print, the complete workflow
• New Canon papers announcedCanon USA announce three new Premium Fine Art papers — Premium Fine Art Smooth, Premium Fine Art Bright White and Premium Polished Rag. Designed to produce, rich-color reproduction, and detailed expression of gradation. Keith has a roll of the Fine Art Smooth for an upcoming paper review

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More print related information

For information about other printers, paper reviews and profiling (colour management) see the Printing section of the main Articles and Reviews page, or use the search box at the top of any page. There are also specific index pages for any articles connected with the following topics:

• Digital Black and White
• Tutorials and 'How to' articles
• Colour Management
• Printer test images
• Why do your prints look wrong?

More of Keith's articles/reviews (Google's picks to match this page)