Colour management – Leicester, UK

Making colour work for you

Based in Leicester, we can provide you with independent colour management advice in conjunction with our training activities

We work in Leicestershire, the UK East Midlands and throughout the UK.

Reviews and articles

We have a large collection of reviews, articles and tutorials on this site, designed to help improve your understanding of the subject. There are links to Keith Cooper’s colour management related articles further down this page.

Our expertise originally stems from our own need to produce the highest quality fine art prints and accurate digital capture of images.

Fully Independent

We do not directly sell hardware or software, so our independent advice is usually aimed at helping fellow photographers get the best results.

We can demonstrate any of the many colour management devices and systems shown on this site.

If you are not sure of why you should be getting into colour management, call on us for a short chat?

We’re happy to offer direct advice as part of our commercial services.

Client advice

Colour management is not rocket science – you -can- do a lot of it yourself.

We’re happy to provide our commercial photography clients with help and advice relating to colour management issues, both where where it relates to our work, and more general matters such as monitor calibration.

Training/Seminars

We are happy to include elements of colour management in our commercial photography training.

Keith also gives lectures and more general talks about the importance and use of colour management principles and techniques.

Other index pages

• Blog – news and articles
• Keith’s photography videos
• Printing and paper
• Digital Black and White
• Photography book reviews
• Camera and printer rumours
• The business side of photography
• Tutorial and ‘How to’ articles
• Gallery of some of Keith’s prints

For even more detail, check the category listings and search box at the right of the page

Articles

• Preserving mountain artGuest post by Tony Riley discussing some of the digital options in preserving mountain art and handling the large archive that exists.
• Physical Limits in Digital PhotographyPhotographer and physicist David B. Goldstein looks at how basic physics limits some aspects of where digital camera design can go.
• Adobe Camera Raw DNG profiles from a ColorChecker cardCamera profiling by using photographs of an X-Rite ColorChecker card to make DNG colour profiles for converting RAW files with Adobe software (ACR and Lightroom)
• What working space to use – colour management choicesWhat working space to use? Looking at some of the advantages and issues when choosing a working colour space. Which colour management choices matter?
• Better black and white profiling with the ColorMunkiUsing the Colormunki to create QuadToneRIP (QTR) linearising icc profiles for black and white printmaking. Smoother gradations and unblocked shadows
• Room lighting for image editingPaying some attention to the lighting levels and decoration in the areas where you edit photographs has a beneficial influence on quality and consistency
• Colour Management in your web browser – Test ImagesSome quick tests to see how colour management is being handled in your web browser. How images in different colour spaces look on your screen.

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Videos by Keith Cooper

• Video: Printing greeting cards – Canon PRO-200Keith Cooper looks at greeting cards printed on Canon Pixma PRO-200 - why choosing the right card type is vital, includes specific high resolution test images for cards(12m 40s)
• Video: Falcon Eyes F7 mini LED lightingKeith looks at some features of the Falcon Eyes F7 Mini LED variable RGB colour lamp for photographic lighting. A white light CCT mode allows a colour temperature setting from 2500K-9000K. An RGB colour mode allows setting of colours in RGB and HSL modes. (7m 30s)
• Video: Printing and editing wide gamut imagesKeith Cooper looks at printing and editing wide gamut colourful images: Monitor choices and settings, working spaces, printer colour profiles and aspects of soft proofing (22m)
• Video: Are third party inks worth it?Keith Cooper looks at ink choices for inkjet printers and asks if third party or 'compatible' inks are really worth trying, or are they a false economy if print quality and consistency matters? (7m 30s)
• Video: Starting to print your own photosKeith Cooper looks at starting to print your own photos your new inkjet photo printer. How to make some initial paper choices and what image types are good to start with (16m 10s)
• Video: Your first prints with a new printerKeith Cooper looks at what should be your first images to have a go at printing after setting up your new inkjet photo printer. Includes links to test images (9m 20s)
• Video: Choosing between the PRO-200 and PRO-300Keith Cooper looks at the differences between the similar looking Canon PRO-200 and PRO-300 inkjet photo printers. Which works best for particular photographic needs(13m 15s)

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Reviews

• ImageNest RIP review: V4 updateV4 of ImageNest. Mac based RIP handles image layout and sizing for any connected printer. Image nesting and full control over colour management.
• Innova Fine art cotton papers IFA26,27 ReviewPaper reviews for Innova IFA-26 and Innova IFA-27 bright white cotton Soft Textured and Cold Press Rough Textured matte art papers.
• Canon iPF8300 review and notesOngoing Canon iPF8300 review and notes about using the imagePROGRAF iPF8300 44 inch large format printer, by Keith Cooper. Notes date back to setting up the printer in November 2010
• Epson SureColor SC-P400 printer reviewDetailed review of the Epson SureColor SC-P400 13 inch width (A3+) pigment ink printer. Wide range of media and prints on roll paper up to 3.2m long
• HP ENVY 5540 printer reviewReview of the All-in-one HP Envy 5540 4-colour (CMYK) inkjet printer. A4 print size with double sided (duplex) printing and 6x4 borderless photo printing
• Datacolor Spyder5Elite reviewReview of the Spyder5Elite monitor calibrator and profiling software. Datacolor Spyder5 supports multiple monitors, and projector calibration. Custom settings allow for more flexibility in selecting optimal calibration and profiling.
• Epson SureColor SC-P800 printer reviewDetailed review of the Epson SureColor P800 printer. A2 sheet paper (17" width) and roll paper support. Tested with a variety of paper types, colour and B&W

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News

• A visit to IPEX 2010Looking at some large printers from HP, Canon and others at the IPEX show - Keith visits IPEX 2010... what's new?
• i1Profiler – New Profiling solution from X-Ritei1Profiler - New Profiling solution from X-Rite. product announcement
• ColorMunki software updated to V1.1The X-rite colormunki software has been updated to version 1.1. Additional features and bug fixes in this free software update
• New profiling software -Profilemaker updateNew profiling software for colour management - Profilemaker is updated by X-rite

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Other areas of our site that may be of interest...

All the latest articles/reviews and photo news items appear on Keith's Photo blog 

Keith explains tilt and shift lenses

Keith has written a book that looks at the many ways that tilt/shift lenses can benefit your photography from a technical and creative point of view.

ISBN 9781785007712

Book now available

There is also a specific index page on the site with links to all Keith's articles, reviews and videos about using tilt and shift.

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