Colour management – Leicester, UK

Making colour work for you

Based in Leicester, we can provide you with independent colour management advice in conjunction with our training activities

We work in Leicestershire, the UK East Midlands and throughout the UK.

Reviews and articles

We have a large collection of reviews, articles and tutorials on this site, designed to help improve your understanding of the subject. There are links to Keith Cooper’s colour management related articles further down this page.

Our expertise originally stems from our own need to produce the highest quality fine art prints and accurate digital capture of images.

Fully Independent

We do not directly sell hardware or software, so our independent advice is usually aimed at helping fellow photographers get the best results.

We can demonstrate any of the many colour management devices and systems shown on this site.

If you are not sure of why you should be getting into colour management, call on us for a short chat?

We’re happy to offer direct advice as part of our commercial services.

Client advice

Colour management is not rocket science – you -can- do a lot of it yourself.

We’re happy to provide our commercial photography clients with help and advice relating to colour management issues, both where where it relates to our work, and more general matters such as monitor calibration.

Training/Seminars

We are happy to include elements of colour management in our commercial photography training.

Keith also gives lectures and more general talks about the importance and use of colour management principles and techniques.

Other index pages

• Blog – news and articles
• Keith’s photography videos
• Printing and paper
• Digital Black and White
• Photography book reviews
• Camera and printer rumours
• The business side of photography
• Tutorial and ‘How to’ articles
• Gallery of some of Keith’s prints

For even more detail, check the category listings and search box at the right of the page

Articles

• Preserving mountain artGuest post by Tony Riley discussing some of the digital options in preserving mountain art and handling the large archive that exists.
• Physical Limits in Digital PhotographyPhotographer and physicist David B. Goldstein looks at how basic physics limits some aspects of where digital camera design can go.
• Adobe Camera Raw DNG profiles from a ColorChecker cardCamera profiling by using photographs of an X-Rite ColorChecker card to make DNG colour profiles for converting RAW files with Adobe software (ACR and Lightroom)
• What working space to use – colour management choicesWhat working space to use? Looking at some of the advantages and issues when choosing a working colour space. Which colour management choices matter?
• Better black and white profiling with the ColorMunkiUsing the Colormunki to create QuadToneRIP (QTR) linearising icc profiles for black and white printmaking. Smoother gradations and unblocked shadows
• Room lighting for image editingPaying some attention to the lighting levels and decoration in the areas where you edit photographs has a beneficial influence on quality and consistency
• Colour Management in your web browser – Test ImagesSome quick tests to see how colour management is being handled in your web browser. How images in different colour spaces look on your screen.

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Videos by Keith Cooper

• Video: Printing greeting cards – Canon PRO-200Keith Cooper looks at greeting cards printed on Canon Pixma PRO-200 - why choosing the right card type is vital, includes specific high resolution test images for cards(12m 40s)
• Video: Falcon Eyes F7 mini LED lightingKeith looks at some features of the Falcon Eyes F7 Mini LED variable RGB colour lamp for photographic lighting. A white light CCT mode allows a colour temperature setting from 2500K-9000K. An RGB colour mode allows setting of colours in RGB and HSL modes. (7m 30s)
• Video: Printing and editing wide gamut imagesKeith Cooper looks at printing and editing wide gamut colourful images: Monitor choices and settings, working spaces, printer colour profiles and aspects of soft proofing (22m)
• Video: Are third party inks worth it?Keith Cooper looks at ink choices for inkjet printers and asks if third party or 'compatible' inks are really worth trying, or are they a false economy if print quality and consistency matters? (7m 30s)
• Video: Starting to print your own photosKeith Cooper looks at starting to print your own photos your new inkjet photo printer. How to make some initial paper choices and what image types are good to start with (16m 10s)
• Video: Your first prints with a new printerKeith Cooper looks at what should be your first images to have a go at printing after setting up your new inkjet photo printer. Includes links to test images (9m 20s)
• Video: Choosing between the PRO-200 and PRO-300Keith Cooper looks at the differences between the similar looking Canon PRO-200 and PRO-300 inkjet photo printers. Which works best for particular photographic needs(13m 15s)

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Reviews

• Datacolor Spyder4Pro reviewDetailed review of the Datacolor Spyder 4 Pro monitor calibrator colorimeter and profiling software package
• Spyder4TV HD reviewReview of datacolor Spyder 4 TV HD calibration for TVs, video monitors and home cinema setups. V4.5 software. Device measures display characteristics for adjusting colour and display quality
• Review Spyder 4 ExpressDetailed review of the Datacolor Spyder 4 Express monitor calibrator and profiling software package. Economic solution for calibration
• Datacolor Spyder4Elite reviewDetailed review of the Datacolor Spyder4Elite monitor and projector calibration and profiling colorimeter and software
• Epson Stylus Pro SP4900 reviewReview of the Stylus Pro SP4900 11 colour 17 inch (A2) printer from Epson. Setup and printing. Includes fitting and use of the optional Spectroproofer unit.
• Epson Stylus Photo R3000 reviewDetailed Epson Stylus Photo R3000 review. Using the SP R3000 A3+ printer for colour and black and white photo printing
• X-Rite ColorMunki Display reviewDetailed review of the X-Rite ColorMunki Display and software for calibrating and profiling monitors and projectors. Includes ambient light measurement function

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News

• X-rite updates i1 Profileri1profiler updated.New features include the option to balance red, green and blue during monitor calibration, improved automatic monitor adjustment (ADC) during the calibration process, and support for Eizo ColorEdge displays.
• i1 Display 2 and i1 Display LT to be supported for Mac OS 10.7 Lioni1 Display 2 and i1 Display LT to be supported for Mac OS 10.7 Lion by special Mac only update
• X-rite updates i1Profiler LicensePerhaps not something I'd normally report, but given all the kerfuffle over the i1Profiler EULA (license) when it came out, it's worth noting that they have retrospectively altered the license.
• A solution to the CS5 ‘no color management’ problemA solution to the CS5 'no color management' problem. Potential difficulties with printing if you want no colour management. The free Adobe Color Print Utility is made for printing profiling targets with colour management turned off.
• Latest i1Solutions from X-riteUpdated information about i1 Profiler capabilities. X-rite profiling options
• Datacolor SpyderCheckrProduct launch information: Datacolor SpyderCheckr. Datacolor have announced a new colour management tool in the form of the SpyderCheckr colour card
• DNG ProfileManager – organising DNG profilesDNG ProfileManager - organising DNG camera profiles. Making DNG profiles is a good way of working round awkward lighting conditions, where the trouble of making a full icc profile is perhaps not merited.

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