Returning to film? Rediscovering old film equipment offers a simpler more direct world of photography. Is it time for Keith to buy some camera batteries and rolls of film?...
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What makes for a great looking large 'fine art' print? What differences do you need to consider when deciding to make larger prints (A2 and above). Larger prints are that work are far more than just more megapixels, sharper lenses and big printers....
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Keith Cooper talks about making large prints at The Photography Show 2017 - Getting great looking big prints from your work. From camera to print, the complete workflow...
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Paper review, looking at Platinum Gloss Art Fibre 300gsm paper by Fotospeed. Tested on the Canon PRO-2000 pigment ink printer for colour and black and white printing...
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Review of six different papers from the Impressora range of photo media, from Canvas to cotton rag paper to glossy metallic finish. All tested on the Canon PRO-2000 printer...
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Canon paper review: Premium Fine Art Smooth (PremFAS) smooth finish matte art paper. Neutral white, OBA free and archival. 310gsm weight...
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Canon USA announce three new Premium Fine Art papers — Premium Fine Art Smooth, Premium Fine Art Bright White and Premium Polished Rag. Designed to produce, rich-color reproduction, and detailed expression of gradation. Keith has a roll of the Fine Art Smooth for an upcoming...
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Paper review: Two new Innova mould made heavy matte fine art rag based papers from the Fabriano paper mill. IFA-107 and IFA-108. OBA free archival papers...
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The X-Rite i1iO table and i1Pro2 spectrophotometer are used with a modified version of Keith's black and white test print (8 & 16 bit versions downloadable). Quick and easy check for monochrome print linearity includes chart averaging....
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Detailed review of the Canon imagePROGRAF PRO-2000 24" pigment ink printer. 11 inks and a gloss optimiser coat. Dual roll feed option. Roll and sheet media tested, including a print over 7m long....
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