EOS Video

Information and rumours about Canon's EOS video systems

DSLR's and Video cameras

27th April 2012

Canon EOS Video

2012 April

• 27th Magic Lantern software looks as if it can be ported to the 5D3 [EHD]
• 12th Cameras:
• United Kingdom, Republic of Ireland, 12th April 2012 – Canon today announces the introduction of the new EOS-1D C, a digital single-lens reflex (SLR) camera targeting the motion picture, television and high-resolution production industries. Delivering outstanding video quality, advanced low light performance and film-like dynamic range, the compact and lightweight EOS-1D C supports in-camera 4K (4,096 x 2,160) video recording with 4:2:2 colour sampling, offering greater creative freedom for video professionals.
• The first SLR camera of its kind, the EOS-1D C offers a unique and highly portable package optimised for high-quality video recording. Advanced creative flexibility is provided with support for a range of resolutions and variable frame rates. 4K video is recorded using 8-bit Motion JPEG compression at 24p, and Full HD (1920 x 1080) video capture is available at frame rates up to 1080/60p. The camera supports internal recording to CF cards at all resolutions up to and including 4K, offering enhanced mobility. Video can also be output to external recorders (excluding 4K video) via an integrated HDMI terminal using an uncompressed YCbCr 4:2:2 signal.
• The EOS-1D C also features Canon Log Gamma, which facilitates the capture of high-quality video rich in exposure latitude and dynamic range. Ideal for video professionals who want to retain the maximum amount of information without huge file sizes, Canon Log Gamma offers a dynamic range uniquely comparable to film, minimising shadow-detail loss and highlight-detail loss to provide greater grading freedom for colourists in post-production.
• “The EOS-1D C is a fantastic addition to the Cinema EOS System,” said Kieran Magee, Marketing Director, Professional Imaging, Canon Europe. “Since the introduction of Cinema EOS we’ve had an excellent response from professionals who are hugely excited by the image quality and creative freedom the system offers. The new EOS-1D C will expand those creative options further – it’s a unique camera, supporting 4K video recording in a highly compact body that can be used in a number of different ways. We’re very excited to see what the professional community can achieve with it.”
• Advanced performance meets creative flexibility
  Based on the core specifications of the EOS-1D X, the EOS-1D C provides exceptional image quality and versatility, with an 18.1-megapixel full-frame CMOS sensor. Optimised for high quality video capture, the sensor provides video professionals with the freedom to adjust image resolution to suit a subject or desired output. During 4K shooting pixels are cropped to an area equivalent to an APS-H sensor, preventing the need to resize or scale the image, ensuring maximum image quality. Additionally, a Super 35mm crop in Full HD recording caters for cinematographers who typically work in the Super 35mm field of view.
• The sensor provides high quality performance in all conditions, delivering advanced creative blurring and light capturing abilities when used in combination with Canon’s EF Cinema prime lenses. Its size enables professionals to achieve an extremely shallow depth of field with beautiful background blur, and sensitivity up to ISO 25,600 provides excellent quality and reduced noise in low-light situations.
• 
• In addition, support for 24, 25, 30, 50 and 60p frame rates in Full HD resolution shooting provides additional flexibility, satisfying the shooting needs of professionals across the industry. Industry-standard timecode and codec support and a choice of compression methods provides compatibility with established workflow processes, facilitating easy editing and grading immediately after shooting.
• The EOS-1D C ships with an exclusive software package, including a suite that allows 4K/Motion JPEG and Full HD/60p video shot on the camera to be output on an external monitor (Requires the use of a PC equipped with an SDI port) with no loss of image quality. It also enables video shot with Canon Log Gamma to be output on a monitor with standard video gamma applied.
• Additional advanced applications, including Picture Style Editor and EOS Utility, also enable adjustments to various camera settings to be conducted from a PC. Real-time procedures, such as the editing and registration of picture styles or checking results on a monitor, can be conveniently performed on-set using a PC or Mac – allowing users to promptly carry out adjustments, and ensuring efficient shooting and post-production procedures.
• EF lenses and EF Cinema Lenses – freedom to explore
  As part of the EOS system, the EOS-1D C is compatible with more than 60 EF lenses, all of which offer high resolutions to support 4K image capture. The EF lens series offers exceptional creative freedom, with focal length options ranging from 8mm to 800mm. Over 70 million EF lenses have been manufactured since the EOS system launched in 1987 – a measure of its unparalleled quality and popularity. As part of the Cinema EOS System, Canon has also introduced a range of 4K EF Cinema Lenses, utilising the company’s unique optical heritage to produce leading-quality lenses optimised for high-quality video capture.
• Canon EOS-1D C – key features:
  4k movies
  1080p at 50/60fps; Canon Log Gamma
  Uncompressed HDMI output
  18 MP Full Frame CMOS
  Up to 12fps stills; 14fps mode
  61 point AF system
  ISO range 100-25600
  Dual DIGIC 5+ processors
  Clear View II 8.1cm (3.2”) LCD
  EF lens compatible
• Pricing & availability:
  The EOS-1D C will be available from October 2012, priced at £10,000 / €12,300 RRP inc VAT.
• EOS C500
  • Canon announces development of digital cinema camera supporting 4K video capture
• United Kingdom, Republic of Ireland, 12th April 2012 – Canon today announces the development of a new digital cinema camera capable of recording 4K-resolution (4,096 x 2,160 pixels) video. Targeting both the motion picture and high resolution digital production industries, the EOS C500 will offer 4K RAW output and will be available with Canon’s EF mount and the industry-standard PL mount.
• In November 2011 Canon announced the EOS C300 – the first camera in the Cinema EOS System, marking the company’s entry into the motion-picture and digital production market. Highly acclaimed by video professionals since launch, the EOS C300 offers exceptional video quality performance, outstanding mobility, durability and expandability, thanks to its modular design and its compatibility with Canon’s range of EF and EF Cinema Lenses. The EOS C500/EOS C500 PL will be based on the same advanced platform, adding support for 4K RAW video capture, and 4:4:4 sampling during 2K capture.
• Supporting next-generation 4K-resolution video capture and RAW data output, the EOS C500/EOS C500 PL will achieve exceptional video results without any loss in quality. The camera’s uncompressed 4K output will unleash the full potential of Canon’s premium range of EF Cinema Lenses, combining with Canon Log Gamma, which delivers the high-quality video and wide exposure latitude required by digital cinematographers.
• Furthermore, 12-bit RGB 4:4:4 signal during 2K (2,048 x 1,080 pixels) video output will deliver rich colour and high compatibility with image processes such as chroma key compositing. Support for frame rates up to 120p in both 4K and 2K resolution will provide enhanced creative flexibility, enabling high-speed (slow motion) video capture in high resolution.
• A development prototype of the EOS C500 digital cinema camera will be on display at NAB 2012, one of the world’s largest events for the video, broadcasting equipment and digital media industries. NAB 2012 will take place from April 16-19 in Las Vegas, USA.
• Pricing & availability:
  The EOS C500 will be available from Q4 2012, priced at £20,000 / €24,600 RRP inc VAT.
• Lenses:
• United Kingdom, Republic of Ireland, 12th April 2012 – Canon today announces the development of four new digital cinematography zoom lenses, as the company expands its EF Cinema Lens range to provide greater creative options for video professionals. Joining the seven high-end lenses announced in 2011, the new models support 4K (4,096 x 2,160) resolutions and will be smaller, lighter and more compact – offering outstanding mobility and quality. Available with both EF and PL mounts, the lenses will also be available at competitive prices, offering premium performance to a wider range of users.
• The expanded EF Cinema Lens series will include two wide-angle cinema zoom lenses, the CN-E15.5-47mm T2.8 L S (EF mount) and CN-E15.5-47mm T2.8 L SP (PL mount), alongside two telephoto cinema zoom lenses, the CN-E30-105mm T2.8 L S (EF) and CN-E30-105mm T2.8 L SP (PL). Ideal for use with next-generation 4K cinema cameras, the new lenses will join Canon’s existing line-up of high-end EF Cinema Lenses in forming the core of the Cinema EOS system, which spans lens, digital cinema camera and DSLR categories.
• In addition to compatibility with industry-standard Super 35 mm-equivalent cameras, the four cinema zoom lenses will also offer superior flexibility. Each lens will feature a compact, lightweight body supporting a wide focal range, making them ideal for handheld shooting. Combined with the Canon’s existing high-end EF Cinema primes, the new lenses will offer a greater variety of creative possibilities for video professionals of all types.
• Prototypes of the new cinema zoom lenses will be on display at NAB 2012, one of the world’s largest events for the video, broadcasting equipment and digital media industries. NAB 2012 will take place from April 16 to 19 in Las Vegas, USA.
• Availability:
  The CN-E15.5-47mm T2.8 L S (EF mount), CN-E15.5-47mm T2.8 L SP (PL mount), CN-E30-105mm T2.8 L S (EF mount) and the CN-E30-105mm T2.8 L SP (PL mount) will be available from September 2012.
• 11th The NAB show in the US starts soon, and it seems we are going to get two cameras announced - both aimed at the video market. [EHD]
• C500 for $25,000.
  • 4K at 120fps with EOS RAW via 3G HD-SDI.
  • Officially certified raw recording deck solutions are being provided by Blackmagic and AJA.
  • 60 fps EOS RAW from the C500 is 12 bit. 10 bit at 120p.
  • C500 also supports 1080p, 2K and Quad HD.
• The '4K DSLR'
  • $10k. Full frame, supports ALL-I, IPB and MJPEG 4K.
• 2 zoom lenses (~$15k)
• 15.5-47mm T2.2
• 30-105mm T2.2

FYI: I've set up a LinkedIn group (~3300 members) for people interested in all aspects of Digital Black and White photography: Digital Black and White Keith gets our UK used Canon equipt. from: USA used - B&H | Adorama

March

• 30th A rather terse warning not to hot swap lenses on the C300 [CEU]
  • Odd this, since the EF lens mount is designed to avoid this problem, and I've been hot swapping EF lenses for years.
• 29th Canon have an event at NAB [DM] on the 16th of April
• Time for the 4k DSLR to get a mention?
• 27th We're told to expect well over a year between the 'mention' of the video DSLR and anyone getting one.
• If you were having difficulty with using English on the menus of your XF video camera (XF300, XF305, XF100 and XF105), then a firmware update adds more foreign language support - V1.0.3.0 - no sign of any other changes.
• 24th Sharpening, Cinestyle and noise with 5D3 video [EHD]
• 22nd A video oriented 5D3 review [EHD]

• 12th In mid April at NAB, we may well see that 4k video DSLR that was mentioned last October. Whatever it is, the Canon EOS teasers are out [CR]

February

• 28th Video card data rates for the 1Dx
• Canon projects the EOS-1D X's typical video data rates to be:
  • 1080p, all fps, IPB compression: 235MB/minute
    1080p, all fps, ALL-I compression: 685MB/minute
    720p, all fps, IPB compression: 205MB/minute
    720p, all fps, ALL-I compression: 610MB/minute
    640 x 480, all fps, IPB compression: 45MB/minute
• Canon recommends a CompactFlash card with a 10MB/s minimum sustained write speed capability for capturing IPB-compression video. For All-I, 30MB/s. The same values are recommended for read speeds, to enable video to play back without interruption in the camera.
• The 5D Mk3 pictures doing the rounds show a headphone socket on the side
• 27th New C300 video shot at 10k ISO by the light of the moon [PB]

January

• 27th A new Canon patent for recording raw video [P5D | EHD]
• 26th X-Circle is a new F mount to EF converter aimed at video users announced by Lockcircle
• 23rd We're told that Canon won't be going for a high MP FF DSLR until that 4k 'concept' camera is a reality (with a 30+MP sensor to get 'cleaner' 4k video)
• Given that Canon have said that this camera is -not- part of the EOS range of still cameras [see BJP] does this support recent 5D3 rumours that are clustering round low MP estimates (18-24)?

• 17th C300 and lenses are now available for preorder at B&H in the US
• Canon EOS C300 EF Mount $15,999
• Canon EOS C300 PL Mount $15,999
• Cine Lenses
• Canon CN-E 14.5-60mm T2.6 L S Cinema Zoom Lens with EF Mount for $42,750
• Canon CN-E 14.5-60mm T2.6 L SP Cinema Zoom Lens with PL Mount for $42,750
• Canon CN-E 30-300mm T2.95-3.7 L S EF Mount Cinema Zoom Lens for $44,650
• Canon CN-E 30-300mm T2.95-3.7 L SP PL Mount Cinema Zoom Lens for $44,650
• All products will ship after January 30, 2012.
• 9th Looks like compacts and camcorders for PMA/CES - so onwards to CP+ (9-12 February 2012)...
• Today's announcements: LEGRIA HF M-series moves on with the launch of the LEGRIA HF M52, LEGRIA HF M56 and LEGRIA HF M506 along with entry level LEGRIA HF R38, LEGRIA HF R36 and LEGRIA HF R306
• 8th C300 lenses and AF are mentioned in a Japanaese interview with Canon [from our Canon mirrorless page]
• 6th C300 demo in US [P5D]
• 2nd Two 'white papers' from Canon about the C300
• One about the new sensor [PDF] and one about image processing and sensitometric characteristics [PDF]
• For an overview, see discussion at [ISW]

2011 December

• 24th Comparison of low light performance between Red Scarlet an C300 [C5D]
• 23rd Magic Lantern software now offers some interesting hacks for video on the 60D/550D/600D [P5D]
• 21st There are some CANON C300 C-LOG and SONY F3 S-LOG comparisons at WGF
• 13th From the makers of the most overengineered camera bodycap known, comes the Lockport Universal Z, a '5D 7D  HDMI PORT SAVER UNIVERSAL Z ADAPTER CLAMP' [LC]
• 12th Three new Cine lenses from Leica [LR]
• Summilux-C 16, 29, and 65mm.
• 10th Zeiss are bringing out new cine lenses next year: CP.2 Compact Primes, Compact Zooms, and a line of Anamorphic lenses. [1k1]
• 5th The manual for the C300 is available from Canon.

November

• 30th Long Canon article about the C300 by John Yi - additional comments/video [P5D]
• The 'video concept camera' is not the same as the 5D3, says Canon in a BJP interview.

• Superb overage - watch it full screen, although I believe some people at Canon totally missed the point and had a bit of a sense of humour failure over it :-)
• 26th Interview with Canon video people at AmP
• 25th There are suggestions that the 'street' price of the C300 may be around 10k euros [DVX]
• 10th Canon EOS video FAQ [Canon]
• 7th Two more video primes will be added to the collection - some interesting snippets about Canon's video 'roadmap' from Dan Carr [DC]
• 5th Lots of comment on the various announcements [PD, RG, P5D, DPR]
  • There is also quite a bit of speculation about the 'under development' model - a lot of people seem to be reading a lot into it, including it being based on the 1D X - I don't see any detail pointing to this, it could just as easily look like a 5D.
• 4th Red also announce a camera, the Scarlet X
  • $9750 and will be shipping as early as November 17th
    4k video: 4096x2160, at up to 25FPS, or quad HD at 30
    3K at 48fps
    2K at 60fps
    1K at 120fp
• CPN technical info on the new c300 video cameras.

• This waiting for me in a Canon press release when I got up this morning.
  • TOKYO, November 4 / HOLLYWOOD, California, November 3, 2011—Canon Inc. today announced that the company is developing a new-concept EOS-series digital single-lens reflex (SLR) camera. Incorporating an enhanced version of the video-capture capability offered in the current EOS-series line-up, the new camera will be ideally suited for cinematographic and other digital high-resolution production applications. The model will be equipped with a 35 mm full-frame CMOS sensor and, enabling the recording of 4K video* (at a frame rate of 24P, with Motion-JPEG compression), will make possible the type of exceptional image quality and sublime imaging expression to be expected from the next generation of “EOS Movies.”
  • The announcement coincides with the launch of the Cinema EOS System, marking Canon’s full-fledged entry into the digital high-resolution production industry. The new professional digital cinematography system spans the lens, digital video camcorder and digital SLR camera product categories.
  • Further details regarding the new EOS digital SLR camera currently under development, including the product name, specifications and scheduled launch date, have yet to be decided.
  • EOS Movie: A New Industry Standard
    Movie recording has been a standard feature in all newly introduced Canon EOS-series digital SLR cameras since the launch of the EOS 5D Mark II in November 2008. Coupled with the diverse array of lenses in Canon’s current interchangeable EF lens line-up, this feature has heralded rich visual expressive possibilities, delivering such characteristics as beautiful image blur and low noise while also garnering kudos for the mobility and manoeuvrability made possible through the cameras’ compact and lightweight body designs.
  • The impressive images created by the combination of Canon EOS digital SLR cameras and EF lenses, known as “EOS Movies,” have already earned their screen credentials on the sets of multiple productions, from television commercials and artist promotion videos to episodic dramas and even major motion pictures.
  • * Cropped to APS-H-equivalent size (dimensions measuring approximately 80% vertically and horizontally of a 35 mm full-frame sensor) when recording in 4K.
• 3rd The Canon 'Cinema EOS' event in Hollywood is underway.
• The Canon EOS c300 is unveiled
• 
• Main features of the C300 / C300 PL:
• • Single 8.3 megapixel 2160×3840 Super-35 CMOS sensor (4K resolution) with Digic DV III processor
    Canon XF codec (50Mbps 4:2:2 1080p30 MPEG2 MXF) records to two Compact Flash card slots
    Canon Log gamma, SDI, compact body, Custom Presets and menus similar to Canon XF series
    Exposure and focus control are completely manual — there is no AE or AF on either camera
    Sold as a system, incl. LCD monitor / XLR audio unit, side grip, top handle, batt. & charger
    Availability: Jan. 2012; Price: appx. $16,000 USD (for C300)
    The rest of the Cinema EOS system includes Canon’s own high-end cinema zoom lenses… first their two zooms, the PL-mount versions of which were previously announced and exhibited earlier this year back in April at NAB2010. All resolve to 4K:
  • Canon Zoom Lens CN-E14.5-60mm T2.6 L S (wide zoom, EF version)
    Canon Zoom Lens CN-E14.5-60mm T2.6 L SP (wide zoom, PL version)
    Canon Zoom Lens CN-E30-300mm T2.95-3.7 L S (telephoto zoom, EF version)
    Canon Zoom Lens CN-E30-300mm T2.95-3.7 L SP (telephoto zoom, PL version)
    And three yet-to-be-released primes, all resolve to 4K but all are EF-mount only:
  • Canon Prime Lens CTZ-029 (24mm)
    Canon Prime Lens CTZ-030 (50mm)
    Canon Prime Lens CTZ-031 (85mm)
• 2nd We've seen no good 5D2 replacement rumours of late... but, there is a good rumour collection that suggests that a 5D3 -will- be announced tomorrow [WOC]
• • * There will be at least two cameras announced, possibly three.
    * PL and EF for sure. I also think a 5D3 will be “announced” but not shown.
    * A Set of Canon Prime Lenses will be shown. All manual capability.*** This is Big.
    * We already know about two PL zooms shown at NAB 2011.
    * Removable LCD.
    * No 60P Full HD. Only 720
    * 4:2:2 with 4:4:4 Upgrade as an additional upgrade.
    * $10K plus for the EF model and up to $15K for the PL version.
    * I think the 5D3 will be a little higher than 5D2 at around $3K.
    * There will be less expensive models to follow.
• Interesting, although I'm minded to thing that a 5D2 replacement 'announcement only', would seriously dent what are still (I'm told) very healthy 5Dmk2 sales.

October

• 30th Comment at a trade show in Canada... [DPR]
  • "... there might not even be a 5d M3 but a completely different line. They also mentioned March 2012 as a possible time of replacement."
• 23rd Lots of (wishful) specs doing the rounds - we were sent this from DPR (thanks)
  • "5D Mark III 32 mpx Full Frame BSI Cmos
    2 Digic 5+ For Prosesing Power
    6.5 fps
    way better Video
    AF 45 points
    Price $2999.00"
• Not unreasonable, but I suspect that we are going to see that 18MP 1D X sensor get re-used in a year or so's time. It's worth looking though that particular thread to see the general confusion that the 1D X announcement has brought to some of the 'where is my 5D3' crowd ;-)
• 20th Quite a few people have been looking at the 1D X specs and trying to guess what's coming...
• Meanwhile the next event is supposed to be Nov 3rd - video is expected [PB]

September

• 23rd Canon announce $100 'Instant rebate' for the 5D2 in the US September 25th (till October 29th) Info at B&H
• 5D2 price in Canada is down to $2000 in some offers (Henry's)
• 16th It seems that there are Canon announcements of some form next week (22nd) [via CR]
• Canon has a Hollywood event on the 3rd of November - be warned, it's flagged as 'an historic global announcement' so is probably copier related [EG]
• • Wild speculation suggests that it's the 5D3 - with a emphasis on new movie functionality - the 1Ds4 having been announced between now and then. Or how about a new range of EF and PL mount movie cameras
• 

August

July

• 26th No 5D3 this year and maybe a camera between the 5 and 1 series [CR]
  • No real surprise - fits in with 'not until the 1Ds3 replacement is shipping' comments we've had.
• 21st We're told (thanks) of a Canon rep in Australia saying that there will not be a 5D3 in 2011
• 19th I was wondering where all the good photoshopped fakes had gone - this appeared via [DPR]. I'm still wondering ;-)
• 14th A good round-up of 5D3 rumours at P5D
• 12th There is a fake '5D3' video doing the rounds along with 28MP specs [1k1, PR]
  • Thanks to all the reports about its appearance. It seems that there are a lot of people wishing for a 5D3 really soon.
  • Without a 1Ds3 replacement actually shipping, I don't see a 5D3 announcement this year, if it's going to follow form and offer similar MP to the top of the range model. I'd also suggest that with the Nikon D700 unlikely to be replaced this year, Canon is happy selling the 5D2 as fast as they can make them.

June

• 13th No 5D3 until next summer? A 3D rumour suggests that the 5D3 will use a version of whatever goes into the 1Ds3 replacement and will be seen at photokina 2012 (August release)
• 1st 5D series to split? [CR]

March

• 12th From Australia we hear of comments (thanks) from a Canon source suggesting that the 5D3 will be at least 6 months after the 1Ds4.
• 9th It's suggested that Canon are looking at a new Codec for video for the 5D mark 3, a new MPEG variant 4-2-2 at 50Mbit. [EHD]. At The UK Focus show I was also told (thanks) that I wouldn't have too much longer to wait for the announcement of a potential replacement for my 1Ds3, and that it would precede any replacement for the 5D Mk2.

2011 January

• 28th We're told that the the new 5D3 (Q2/Q3) will feature a new RAW vdo video format and that DPP will allow it to be edited.
  • Given my limted knowledge of video encoding - I've no idea about this one, other than it came from someone I know...

2010 December

• 26th More 'RAW' video [MTM]
  Some 5D3 'specs' at CR, 28MP, 2 Stop Noise Improvement, 63-segment metering, 1920x1080 30/25/24 fps Video, RAW Video. A CES announcement is mentioned.
• Whilst the specs are entirely plausible, we were told some time ago that nothing would happen with respect to the 5D2 replacement until -after- a new 'flagship' appeared. We've also had several comments in the past to expect a big announcement at the CP+ show
• CP+ ?? - this directly from Canon back in September:
  • For CP+ 2011, which will be held at the Pacifico Yokohama convention center between 9-12th February 2011, CIPA has adopted the following theme:
    World Premiere—Leading the way to the new age of photo imaging
    Because of the fact that no other major photo exhibitions are expected to be held in the early part of 2011, CP+ 2011 will provide the ideal opportunity for companies in the photo-imaging industry to announce their new products for spring. In addition, CIPA believes the theme of the 2011 exhibition will make the event more significant, to both business users and general attendees.
• It's interesting to note how little this was picked up on around photokina, certainly by Europe/US web sites.
• Perhaps next year is time for something big to be announced - I can't see Canon having the guts to make as big a big change such as FD->EF lens change, but we've had more and more suggestions of 2011 being significant
  (reality check - we've seen this before though, every time a 'big' camera model is getting on in years ;-)

July

• 29th A suggestion (thanks) that the 5D3 is being moved forward from the expected Q3 2011 date.
  • Not much, I'd have thought. Not unless the 1Ds4 appears pretty soon and ships much faster than its previous versions - our most solid response is still the 'next year' comment from last month.

May

• 3rd It seems that Vince Laforet is suggesting the 5D3 for next year - no prize for fortune telling there, given we don't have a 1Ds4 yet.
• At CR it is also suggested that the 5D2's HDMI connector is in some way to be 'improved'

April

• 14th The 5D2 is being solidly pushed by Canon as the DSLR video solution. The 5D2 is old enough that we get regular questions as to whether an 'N' version will appear. Our most emphatic comments (thanks) say that nothing will change until a year -after- the 1Ds4.

February

1. 15th Some talk of an FF camera being tested in Europe, that shoots raw video [P5D]

2010 January

• 18th Whilst most would look to the forthcoming 1Ds4 for an indication of how many MP will fit into the 5D Mk3. The 5D2 will point the way for video features.
• Canon were genuinely surprised at the enthusiasm in the video market for the 5D2 and, for video, we hear that the 5D2 is Canon's preferred choice as an HD Video solution.
• The forthcoming firmware update will address more video usability issues than just framerates.
• We're told to expect video functionality as a key marketing feature of the Mk3.
No details on release dates, but at least a year after the 5D2 firmware update. How about Summer 2011 when Digic 5 will allow a lot more in-camera processing.

2009 February

• 2nd A DPR thread to follow... It's all there - splitting the line (3D and 7D of course) - well OK not much, as you'd expect really.

All our technical Canon info (sensor predictions etc) is currently ('08) on the 60D page.

What does the 5D Mk2 replacement have to beat?

21MP CMOS sensor (similar but newer design to EOS-1Ds Mark III)
Sensor dust reduction by vibration of filter
ISO 100 - 6400 calibrated range, ISO 50 - 25600 expansion (1Ds Mark III and 5D max ISO 3200)
Auto ISO (100 - 3200)
3.9 FPS continuous shooting
DIGIC 4 processor, new menus / interface as per the EOS 50D
Image processing features:
Highlight tone priority
Auto lighting optimizer (4 levels)
High ISO noise reduction (4 levels)
Lens peripheral illumination correction (vignetting correction)
RAW and SRAW1 (10 MP) / SRAW2 (5 MP)
RAW / JPEG selection made separately
Permanent display of ISO on both top plate and viewfinder displays
AF microadjustment (up to 20 lenses individually)
Three custom modes on command dial, Creative Auto mode
Image copyright metadata support
98% coverage viewfinder (0.71x magnification)
3.0" 920,000 dot LCD monitor with 'Clear View' cover / coatings, 170° viewing angle
Automatic LCD brightness adjustment (ambient light sensor)
Live view with three mode auto-focus (including face detection)
No mirror-flip for exposures in Live View if contrast detect AF selected
Movie recording in live view (1080p H.264 up to 12 minutes, VGA H.264 up to 24 mins per clip)
Two mode silent shooting (in live view)
New jump options in play mode
HDMI and standard composite (AV) video out
Full audio support: built-in mic and speaker, mic-in socket, audio-out over AV (although not HDMI)
IrPort (supports IR remote shutter release using optional RC1 / RC5 controllers)
UDMA CompactFlash support
New 1800 mAh battery with improved battery information / logging
New optional WFT-E4 WiFi / LAN / USB vertical grip
Water resistance: 10 mm rain in 3 minutes

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