Northlight Images photography
Articles, reviews and tutorials about photography
Home About us Commercial Photography Print Gallery Articles/reviews/blog  
Thanks for visiting - I hope you find
our site helpful and interesting.

The site is largely supported by
people buying things (anything
at all) via our links.

Info about how you can help
us run the site, often at
no extra cost to yourself

Page contents

1Ds with Mk1 pinhole camera adapterA digital pinhole camera
...using a Canon 1Ds

Making your own pinhole adapters

Tired of spending heaps of cash on your lenses? Keith describes how to make a pinhole camera out of your digital SLR.

Results are compared to a significantly more expensive lens not made of toilet paper tubes.

  • Note - this article dates from 2005. I tried the 'lens' on my subsequent 1Ds mk3 (21MP) and as expected, the files were bigger, and that's about it...

Basics of the pinhole camera

The original camera -- probably first noted a very long time ago when someone saw an inverted view of the world outside cast onto a wall through a hole in a window shutter.

For distant objects the optimum radius of the pinhole is approximately equal to the square root of the product of the wavelength of the light and the distance from the pinhole to the sensor.

Thus for d=50mm and a wavelength of light of 550nm we get a pinhole radius of 0.165mm or a diameter of 1/3rd mm.

For a 200mm distance to film we need a hole of 2/3rds mm.

digital black and white logoKeith runs a LinkedIn group (~7900 members) for people interested in any aspects of modern Black and White photography: Digital Black and White

basic geometry of a pinhole cameraBoth sizes quite easy to make, but you may need several attempts to get a good clean circular hole.

A poorly shaped hole will introduce noticeable loss of quality in the image.

For those of you wanting to delve into a bit more detail on the principles behind pinhole and pinspeck cameras, there is an excellent article at: /pinhole.htm.

Basic pinhole adapter for a digital SLR

As ever, tinker with expensive cameras at your own risk!

Now comes the expensive part (apart from the ~£5000 I paid for the 1Ds body) -- £3 for a replacement camera body cap.

Mk1 pinhole in plastic camera body capA small hole was made in the centre of the body cap with a scalpel blade. Not a very small hole (~0.9mm).

The picture is taken on my desk with sunlight coming in through a gap in the curtains.

You can see an image of the Sun on the desk.

The Mk1 pinhole lens.

Pinhole to focal plane is about 50mm.

Dust is always a problem with digital SLRs so a Lens Cap was made from Blu-Tack

(Info on dust and sensor cleaning)

The image quality was rather poor and blurred.

1Ds with Mk1 pinhole camera adapter

Not entirely unexpected, so I looked at a better way to get a pinhole.

A better digital pinhole SLR

By enlarging the hole in the plastic cap, you can use a better material for the pinhole.

Paper backed sticky Aluminium foil tape is very good and can easily be replaced.

Thicker foil (take-away food containers) is good but needs glueing.

Mk2 pinhole adapter

Several guides on the web suggest that very thin brass sheet is best, but there was none in the tool cupboard/kitchen.

The hole in the body cap is enlarged to about 1cm and covered with Aluminium tape.

The hole was made with a fine sewing needle.

Note the image of the Sun is dimmer than the first pinhole in the plastic.

After several tries I got a good sized pinhole and took the camera outside.

car and street - unprocessed image car and street after processing in Photoshop
A reduced version of the 4064x2704 image produced from a 1Ds 'raw' file.

1 second exposure at ISO 200 (manual setting, exposure optimised via camera histogram)

The image after a bit of processing.

Note how the original image is very soft but benefits from a bit of image processing in Photoshop

This is a sample of the original image at full resolution.

full resolution sample digital pinhole image

It shows dust on the sensor quite nicely but is not quite as good as the original 16bit uncompressed file (it's a JPEG)

The processing steps were:

50mm pinhole camera shot of ugly Ford ScorpioThe last three steps are really there to optimise the picture quality on the web (I've got an article discussing photos for web use elsewhere)

Excellent depth of field and no distortion.

There is so little light coming into the camera that the viewfinder is pretty useless.

It took quite a few shots to get this one of the ugly cars outside my house.

It is worth trying a number of different pinhole sizes since the increase in resolution with smaller holes is offset by diffraction effects.

Using the aluminium tape allowed several different pinholes to be pre-prepared.

The home made 200mm lens

The lens cap pinhole gives a focal length of 50mm, how about something a little longer, and zoom too?

use two slightly different toilet roll tubes to make the pinhole adapter

Two toilet paper tubes for the zoom lens.

The centre of the lens cap is cut out and glued into the second tube (hot melt glue is excellent for this)

tubes fitted together painted black with red stripe
Some of the aluminium tape ensures that the end is light proof A spray of black paint inside and out keeps light reflection at a minimum and also stops dust from the cardboard rubbing off and getting into the camera.

Be sure to mask the actual camera mount from paint.

The 1Ds with its 200mm pinhole lens.

200mm EF zoom pinhole lens, EF mount, fitted on Canon 1Ds

The 200mm seemed a lot more dependent on a good quality pinhole, and also susceptible to light coming through the viewfinder.

The first attempts showed considerable vignetting, which turned out to be stray light. The 1Ds has a viewfinder shutter to stop this. You could use a black cloth if need be.

full frame unsharpened 200mm pinhole image full frame sharpened 200mm pinhole image
The raw images is fairly blurred as before.

13 seconds exposure at ISO 100

A sharpened version, after processing.

There was traffic at the end of the road (where the bus is in the shot below) but the long exposure loses it.

The expensive version -- is it really worth it?

Well it can be...

The 1Ds with its Canon EF 70-200 2.8L IS zoom lens.

The 70-200 IS zoom from Canon costs about £1400 more than the other lens

The street taken with a 70-200 lens. inset shows full resolution detailNote that since I mostly use this lens hand held, its tripod mount has been removed.

If you need sharper pictures, faster f-ratios and a slightly more 'Pro' look.

Inset is a detail at full resolution showing the increase in resolution that you get for around £1400.

(Note that this image is a medium res JPEG file)

This lens and the 16-35mm 2.8L are my most used lenses.

The image stabilisation feature lets me regularly take shots hand-held at 1/50th sec.

The moon is about half a degree across and is a critical test of any lens, particularly against a dark sky.

The moon taken with a 1Ds and 70-200mm lens The moon, taken with a Canon 1Ds and 200mm pinhole camera adapter
The moon - Canon lens

Inset shows full frame.

The Moon - Keith's much cheaper lens

Both images sharpened

Keith Cooper, photographerThank you for supporting our site.
The articles and reviews are written in my spare time - I really do appreciate all the people who have taken the time to write to me to say when they have been useful.
Could you help? -- I'm determined to keep this site 100% free, but if you'd like to contribute at no extra cost to yourself then just use one of my links to visit an Amazon site or other supplier when you want to buy something.
If you follow a link below and then buy absolutely anything (not even camera related) we get a small commission

Amazon UK / Amazon France / Amazon Germany | Amazon USA / Amazon Canada / Amazon Italy | B&H | Adorama | Macphun | Topaz
| Wex (UK)
(Other ways to help the site)
Just found the site via the rumours pages? - please do have a look round the articles and reviews, since they are far more important to me, in helping people get more out of their photography.
Thanks again - Keith and Karen at Northlight Images

I've a good example of the quality of this lens in part two of my article looking at the DXO Pro raw conversion and lens correction software (off-axis detail)


I was very surprised at the quality I got out of the 50mm version after a bit of image processing. The Focus Magic plugin worked wonders and I discovered that the Photoshop 'Shadows and Highlights' tool can make appreciable differences to soft images even when set at 1% for the shadows.

The smaller pinhole of the 50mm version seems to produce pictures that are easier to process for sharp results. This may be due to the amount of blur just being too much to easily correct from the larger 200mm pinhole, or it could be that the larger hole was not so good quality as the smaller one.

The pinhole lens is certainly lighter to carry around, although the need for a tripod and 15 second exposures might affect its usefulness in some areas (wildlife/photojournalism).

I'm not sure if I'd have got better results painting the outside of the 200mm pinhole adapter white like the 70-200, but I'm sure the red stripe helped a bit... :-)

Just because I do photography for a living doesn't mean it can't still be fun!

Other info and stuff on this site

There are annual world pinhole photograpy days. There is more info at If you take pinhole pictures that day you can send them to the site.

The views in this article represent those of Keith Cooper.
Keith is always happy to discuss matters raised in his articles. You can Email Us Email Us
Northlight Images prides itself on its independence when giving advice. We do not sell hardware or software and have no direct commercial links with any of the software or hardware vendors that may be mentioned here. See our Review Policy for more information.

Our reviews never recommend the 'best product' for you - see why this matters at:
Why we never recommend the best

You can search all the many hundreds of articles and reviews on the site for more information

Have you found an article on the site useful or helpful?

If so, please consider sharing a link to the article or mentioning it on a forum or blog - Thanks to everyone who's helped the site become better known.

Explore our site... Digital Black and White photography and printing - some of Keiths thoughts, techniques and tips for those interested in a digital approach to black and white. There are many hundreds of entirely free articles and reviews on the site. New site content appears on the News, articles and reviews page.

Northlight Images is based in Leicester in the UK and supplies Commercial Photography services.

Visiting Leicester? - see hundreds of Keith Cooper's local photos at our Leicester Photos site